Friday, June 15, 2018


Though well-known and beloved by their peers, Harold and Lillian Michelson had the sorts of jobs that are often so far below the line that they're not credited at all.  As a production designer and art director, Harold would eventually earn Academy Award nominations for Star Trek: The Motion Picture and Terms of Endearment, but for the bulk of his career, dating back to an apprenticeship at Columbia Pictures in the late '40s, he worked the art department as a concept illustrator and storyboard artist.  Despite a passion for books and a formidable intellect—she was a spelling bee champion in her youth—Lillian stayed home and raised their three children until the early '60s, when Harold was brought onto the lot at Samuel Goldwyn.  He helped land her a volunteer position in the research library across the street, and a second career was born.  Only the most hardcore cinephiles have heard of the Michelsons, but even casual viewers are familiar with their work.  Harold's talent for adjusting his storyboards for different camera lenses and telling stories shot-by-shot is readily apparent in sword-and-sandal epics like The Ten CommandmentsBen Hur, and Spartacus, and he worked side-by-side with Alfred Hitchcock on The Birds and Marnie, two of the master's most strikingly composed films.  One of the most famous shots in cinema history—Benjamin Braddock framed by Mrs. Robinson's leg in The Graduate—appeared first on Harold's sketchbook before it was immortalized on screen. He wouldn't start collecting more prominent credits until later, when he worked in production design and/or art direction for filmmakers like Mel Brooks and Danny DeVito.  For her part, Lillian toiled in the research department, where she quietly unearthed the specific period details and bric-a-brac that would lend real-world authenticity to Hollywood fictions.  In the documentary Harold and Lillian, she describes the extraordinary lengths she would go to get things right, like querying old Jewish women at a deli to find out what 1890s bloomers looked like for Fiddler on the Roof or pressing ex- (and current) drug lords and DEA agents for information relevant to Scarface.  When asked the impossible, like getting photos from inside CIA headquarters, she could deliver.  She talks about research as a "time machine" that allows her to access other worlds.  Scott Tobias  https://www.npr.org/2017/04/27/525056001/a-behind-the-scenes-couple-get-star-treatment-in-harold-and-lillian  

7,000 books. 100,000 periodicals.  Over 1,000,000 clippings.  This is the Lillian Michelson Research Library.  It is the largest private motion picture library in Hollywood and it’s been a passion of Lillian’s since 1961 when she happened upon it at the Samuel Goldwyn Studios. Under the tutelage of a librarian named Lelia Alexander, Lillian learned how to have a seven-track mind--as questions poured in from filmmakers, needing research for films they were making--and every question was answered in detail--because nothing was more important to great storytelling than “getting it right.”  By 1969, the library was facing eviction.  Lelia was done, too, but she had a strange vision she shared with her pupil, “Lillian, I feel as if you’re going to own this library.”  The library would move a few more times--to Paramount and, most prominently, under Lillian’s care, via Jeffrey Katzenberg to Dreamworks Animation Studios in Glendale.  Harold and Lillian quietly became known, through their mentorship and giving back, the heart and soul of the best of what Hollywood can be.  The very definition of invaluable behind-the-scenes contributors--and true Hollywood royalty.  Sweetly, in 2004, Dreamworks Animation (who’d lent office space to the couple to continue work at their ripe young age) made a sequel to their greatest success and, let’s just say, there’s no coincidence Princess Fiona’s parents in Shrek 2 are named King Harold and Queen Lillian.  There they were--on screen--the orphan girl and the prince of Miami, ruling over their own fairy tale kingdom, just as it should be.  https://www.mptf.com/reelstories/lillianmichelson

 Books aren't eggs, you know.  Simply because a book has aged a bit doesn't mean it's gone bad.”  " . . . eating was more sacred to the French than state, religion and money combined . . . "   "laugh with each other rather than at each other"  "Books help me breathe better--it's that simple."  Nina GeorgeThe Little Paris Bookshop  See more quotes at https://www.goodreads.com/work/quotes/42866547-das-lavendelzimmer  A bookseller has a book barge on the Seine called Literary Apothecary and cats named Kafka and Lindgren.  He can diagnose a shopper's ills and select a literary remedy.  Find Jean Perdu's Emergency Literary Pharmacy from Adams to Von Arnim at the end of the book.  The titles are followed by treatments and, sometimes--side effects.

Welcome to the Literary Apothecary  "Reading, and then writing about it"  Inspired by The Little Paris Bookshop by Nina George  See book ratings at https://k2harvey.wordpress.com/

June 7, 2018  The Leaning Tower of Pisa is surprisingly still standing, surviving numerous earthquakes over the years.  New research says it's the unique interaction between the tower's foundation and the soft soil it stands in that's helped it ride the seismic waves.  University of Bristol professor George Mylonakis said:  "As the earthquake waves reach the tower, the tower somehow rides the waves and doesn't move.  So the soil moves but the tower doesn't move; like riding the waves.  So had the soil been stiff, the waves would have hit the tower and the tower would have possibly if not probably collapsed."  European engineers, including those from Roma Tre University and the University of Bristol, installed seismic instruments around the tower.  They found that the soil below, combined with the tower's height and thick marble walls, provided perfect dynamic soil-structure interaction.  Professor Mylonakis said:  "These earthquakes produce waves that do not resonate with the tower, and this is a very significant factor that has contributed to the survival of the structure."  The ground beneath the tower was a pre-historic riverbed, making the soil there softer.  Ironically, it's the same soil that caused the tower to lean precariously at a five-degree angle.  The 14,000-tonne structure was built between 1174 and 1370.

LIBRARYREADS JUNE  2018  Link to six different suggested reading lists from Bookpage Magazine posted by Lily, Associate Editor on May 17, 2018 at


Cucumbers are extremely beneficial for overall health, especially during the summer since they are mostly made of water and important nutrients that are essential for the human body.  The flesh of cucumbers is rich in vitamin Avitamin C, and folic acid, while the hard skin is rich in fiber and a range of minerals including magnesium, molybdenum, and potassium.  Additionally, cucumber contains silica, a trace mineral that contributes greatly to strengthening our connective tissues.  They are known to heal many skin problems, under eye swelling, and sunburn.  Cucumbers also contain ascorbic and caffeic acids which prevent water loss, therefore they are frequently applied topically to burns and dermatitis.  Cucumber is a fruit from the Cucurbitaceae family.  Scientifically known as Cucumis sativus, it belongs to the same family as zucchiniwatermelon, pumpkin, and other types of summer squash.  https://www.organicfacts.net/health-benefits/vegetable/cucumber.html

The link in your Muse entry for "Dinomorphosis" leads to a dead end on the Pelican site.  Here's a better link:  http://pelicanpub.com/proddetail.php?prod=9781455623044#.WyJy4RJKg3F  And here it is on Amazon:  https://www.amazon.com/Dinomorphosis-Paul-Many/dp/1455623040
Thank you, Muse reader!

Word of the Day from Wiktionary June 14, 2018  move the goalposts  verb  (idiomatic) To alter the terms of an agreement or an agreed target, or the rules of a negotiation while it is ongoing, especially in an unfair way.  Challenge:  Use the phrase "move the goalposts" in a sentence.  Answer:  Literary critics raved that Kafka "moved the goalposts" when he imagined the protagonist of his book as a giant bug!  Thank you, Muse reader!

D. J. Fontana, whose simple but forceful drumming behind Elvis Presley helped to shape the early sound of rock ’n’ roll, died June 13, 2018 in Nashville.  He was 87.  Mr. Fontana was the first drummer in Presley’s band and played with him for 14 years, from Presley’s earliest days in the national spotlight through the 1968 television special, called simply “Elvis,” that was widely hailed as Presley’s return to form.  He backed Presley on more than 450 recordings, including hits like “Hound Dog,” “All Shook Up,” “Blue Suede Shoes” and “It’s Now or Never,” and was seen playing with him in the movies “Loving You,” “Jailhouse Rock” and “G.I. Blues.”  He was later an in-demand studio musician in Nashville.  Mr. Fontana’s entree into rock history came by way of his job as a member of the band on “Louisiana Hayride,” a popular country-music radio show broadcast from Shreveport, La.  Kurt Gottschalk  Read more at https://www.nytimes.com/2018/06/14/obituaries/dj-fontana-87-elvis-presley-drummer-is-dead.html

http://librariansmuse.blogspot.com  Issue 1903  June 15, 2018 

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