Bonshō (Buddhist bells), also known as tsurigane (hanging
bells) or ōgane (great
bells) are
large bells found in Buddhist temples
throughout Japan, used to summon the monks to prayer and to
demarcate periods of time. Rather than
containing a clapper, bonshō are
struck from the outside, using either a handheld mallet or a beam suspended on
ropes. The bells are usually made from
bronze, using a form of expendable mould
casting. They are typically augmented
and ornamented with a variety of bosses,
raised bands and inscriptions. The
earliest of these bells in Japan date to around 600 CE, although the general design is of much
earlier Chinese origin and shares some of the features seen in ancient Chinese
bells. The bells' penetrating and
pervasive tone carries over considerable distances, which led to their use as
signals, timekeepers and alarms. In
addition, the sound of the bell is thought to have supernatural properties; it
is believed, for example, that it can be heard in the
underworld. The spiritual
significance of bonshō means
that they play an important role in Buddhist ceremonies, particularly the New Year and Bon festivals. Throughout Japanese history a number of these
bells have become associated with stories and legends, both fictional, such as
the Benkei Bell of Mii-dera, and historical, such as the bell of Hōkō-ji. In modern times, bonshō have
become symbols of world peace.
See pictures at http://en.wikipedia.org/wiki/Bonsh%C5%8D
November is Picture Book Month. Think back and remember your favorite picture books. One of mine was the Babar series. Little ones still crave picture books--they
point and smile. Read essays on
"Why Picture Books Are Important" by Robin Preiss Glasser, Chris
Barton, Linda Joy Singleton, Kelly Bingham and many others at http://picturebookmonth.com/
Gregory
"Greg" Rucka is a comic
book writer and novelist, known for his work on such comics as Action Comics, Batwoman, Detective Comics, and the miniseries Superman: World of New Krypton for DC Comics, and for novels such as his Atticus Kodiak series. Greg Rucka was born in San Francisco and raised on the Monterey
Peninsula of
California, in an area known to the locals as "Steinbeck Country". He first
discovered comics at the Nob Hill Market in Salinas,
California, where at age five, he
first saw digest-sized black and white reprints of Stan Lee and Jack Kirby's work on The Incredible Hulk,
which he convinced his mother to buy. He
began writing at a young age, and at age 10, he won a county-wide short story
contest. He graduated from Vassar College with an A.B. in English. He
then enrolled in the University of Southern California's Master of Professional Writing program, graduating
with an M.F.A. He names Douglas Adams as his biggest influence. See Rucka's bibliography and awards at http://en.wikipedia.org/wiki/Greg_Rucka
Edible Flowers Chart How
To Safely Choose Edible Flowers (sorted by fruit flowers, herb
flowers and vegetable flowers) http://whatscookingamerica.net/EdibleFlowers/EdibleFlowersMain.htm
The Amazing Pattern Library A PROJECT BY TIM HOLMAN & CLAUDIO GUGLIERI--COMPILES PATTERNS SHARED BY DESIGNERS FOR YOU TO
USE FREELY IN YOUR DESIGNS One
example: http://thepatternlibrary.com/#nyc-candy
Originally, the Rainbow Room was so named because an organ was
installed that projected colored lights with the music. Today, the lighting and sound system is
comparable to that of a Broadway production.
"It's literally a theater, in terms of its technical
capability," says architect Michael Gabellini, pointing out hidden
high-tech sub-woofer stereos and ‘gobos’ [templates used to manipulate light]
-- a stage manager's dream. The Rainbow
Room is 800 feet up on the 65th floor of 30 Rockefeller Plaza. The
architect considers the Rainbow Room the ‘pinnacle’ of his 15-year tenure at
Rockefeller Center, which saw such successes as his Top
of the Rock observation deck.
And after a years-long restoration process, the city landmark reopened
for a private gala October 1st, 2014--then to the public on October 6th, with
new owner-operator Tishman
Speyer at the helm.
Gabellini cannot, in any way, alter the structure of the dining room
since it was given protected status by the Landmarks Preservation Commission in
2012. Thus much of it -- the dance
floor, the ceiling's dome, the staircase -- still dates back to its original
architect Wallace K. Harrison, who conceived of it as an elegant club for
dining and dancing shortly after the repeal of Prohibition. http://www.bloomberg.com/news/2014-09-15/the-new-reimagined-rainbow-room-is-high-tech-familiar.html
A first-of-its-kind
retailer
called Doppelganger Labs is tentatively scheduled to open November 18, 2014 inside
the Dayton Ohio Mall, offering customers a 3D body scan that can be used to
create life-like figurines. Doppelganger
Labs and its Artec Shapify Booth will utilize 3D scanning equipment and
software developed by Artec Group, an international firm that has demonstrated
the technology mostly in Europe and Asia.
Customers stand motionless in a booth and are scanned on all sides by a
series of digital cameras, creating a 3D file that can be used to make the
figurines. Rather than using lasers, the
scanners utilize white light that is the same as light emitted from household
light bulbs, and which poses “no safety risk,” Steblev said. Mark Fisher
See picture at http://www.daytondailynews.com/news/business/new-dayton-mall-retailer-to-offer-3d-body-scan-dop/nh4ZN/
Thanks, Muse reader.
November 14, 2014 President Obama rattled the internet this
week when he unloaded his opinion on net
neutrality, the notion that all internet traffic should be treated equally.
But to really understand what’s going on
here, you should return to a moment earlier this year, when many American had
trouble watching movies and TV shows on Netflix. U.S. consumers were paying internet service
providers like Comcast and Verizon for access to online applications like
Netflix—which streams its movies and TV shows over the network—but the big ISPs
weren’t letting that happen. Instead,
they were allowing back-end connection points—the middle ground between
Netflix’s video servers and their customers —to become overwhelmed with data. This meant that for many Verizon and Comcast
customers, internet shows like “House of Cards” weren’t playing very well. Netflix ended up paying the big internet
service providers to solve its problem, but to those who believe in net
neutrality, this was a worrying outcome. It seemed as though the big ISPs were
inappropriately flexing their power—charging content providers extra to make
sure their programs played properly on the Verizon and Comcast networks, and
holding customers hostage to boot. That
dispute, coupled with a January court ruling that forced the FCC to rework its
net neutrality rules, set the stage for what’s become an all-out policy brawl
over how we plan to regulate the internet here in the U.S., a fight that hit its apogee this
week when Obama called on the Federal Communications Commission to roll back
more than a decade of policy, and treat the Verizons and Comcasts of the world
as “telecommunications services” providers—the so-called Title II option, first
laid out in the 1934 Telecommunications Act.
This idea freaks the ISPs out. Since
the early 2000s, the FCC has given them a bit of a regulatory pass, treating
them as more-lightly regulated “information services” companies. If they’re regulated under Title II, they’ll
have less freedom to do what they want—and, they say, less incentive to
continue expanding their networks. But
many believe that Title II is the only way to ensure that they don’t start
playing with internet traffic in unfair ways.
It’s easy to get lost in the
weeds of the debate, but the question before the FCC can be boiled down to
pretty simple terms: Are we happy with
the state of America’s internet service providers and the way they conduct
their business? For consumers, that’s an
easy question to answer. Nobody seems to
like the internet service providers. That’s
a big part of the reason why the FCC fielded about 4 million comments on net
neutrality over the past six months. Comcast
was recently dubbed the “worst company in America,” by the Consumerist.
AT&T is so uncompetitive that it can put the brakes on a 100-city fiber
rollout, as it did this week, without
feeling much pressure from business rivals.
A decade ago, the FCC said that less regulation would help deliver
better consumer internet services, but that hasn’t panned out. Internet service here is slipping. Compared with countries such as Japan, South
Korea and the Netherlands, we pay too much for not enough bandwidth. But it all gets murkier when you look inside
the internet’s data centers—home to the Netflix-Comcast dispute. There, things have evolved amazingly well
without government regulation. Moving
bits over the internet or caching them in facilities
nearer to consumers has become incredibly cheap and
effective, and it has paved the way for fast-moving era of innovation that’s
made America the envy of the world. If
the big ISPs are messing with this success by gouging Netfilx and Google, then
that’s a problem. But conversely, if the
FCC ends up fixing Netflix and Google’s problem with unwieldy regulations that
hurt smaller companies, then Obama’s Title II option would backfire. Robert McMillan http://www.wired.com/2014/11/net_neutrality/
http://librariansmuse.blogspot.com Issue 1217
November 14, 2014 On this date in
1765, Robert Fulton, American engineer and inventor, was born. On this date in 1805, Fanny
Mendelssohn, German pianist and composer, was born.
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