The Meal,
Ready-to-Eat--commonly known
as the MRE--is a self-contained, individual field ration in lightweight packaging bought by the U.S.
Department of Defense for its service members for use in combat or other field conditions where organized food facilities are not
available. While MREs should be kept
cool, they do not need to be refrigerated. MREs replaced the canned MCI, or Meal, Combat, Individual rations,
in 1981, and is the intended successor to the lighter LRP ration developed by the United
States Army for Special Forces and Ranger patrol units in Vietnam. MREs have
also been distributed to civilians during natural disasters. Read more and see graphics at https://en.wikipedia.org/wiki/Meal,_Ready-to-Eat MREs are available to the general public from
various sources on internet.
Wagyu mass
noun, often as modifier Any of several breeds of Japanese cattle producing tender, marbled
beef that typically contains a high percentage of saturated fat. The beef obtained from Wagyu cattle. Origin Japanese,
from wa ‘Japanese’ + gyu ‘cattle, beef’.
Pronunciation Wagyu /ˈwɑːɡjuː/ https://en.oxforddictionaries.com/definition/wagyu
NOTE that Wagyu has various
pronunciations, among them WAG-you and WOG-you.
See also 7 Japanese
Foods You Didn’t Know You Were Pronouncing Wrong by
Natsuko Mazany at https://spoonuniversity.com/lifestyle/7-japanese-foods-youve-been-pronouncing-wrong
February 8, 2018 Njideka
Akunyili Crosby didn’t pick up a paintbrush until she was 16 years old and
was taking a community college class in Philadelphia. Now she’s 35 and is one of the biggest rising
stars in the art world. Last year she
won a MacArthur Genius grant, her paintings sell for millions of dollars to
private collectors and museums. Large-scale reproductions of some of her paintings are
now covering the walls of LA’s MOCA building, visible to drivers headed down
Grand Avenue. “Super Blue Omo” is one
of the pieces that appears in the MOCA mural.
The title is actually based on a Nigerian commercial for laundry
detergent, that Akunyili Crosby remembers from growing up in the 80s. She described the jingle for “Super Blue Omo”
as the soundtrack to her childhood, a song that every Nigerian will recognize. In Nigeria at that time, most people didn’t have satellite television so there
were only a handful of commercials. “So
I probably heard it every 30 minutes from six in the evening to ten at night,”
she said. In her piece, “Super
Blue Omo,” her sister sits in a blue room (a reference to the commercial
jingle) in front of a Nigerian tea set, inherited from the country’s time as a
British colony. All around her are
prints of old family photographs from Akunyili Crosby’s childhood. “The work is really asking,what is it to be
an immigrant? It is to straddle multiple
places at once and carry differing histories with you at the same time. So I’m trying to make works that speak to
that and I’m trying to look at that in-between space.” Akunyili Crosby’s mural will be up on the
MOCA building through the end of 2018.
You can see more of her work at http://www.njidekaakunyili.com/ Gina
Pollack https://curious.kcrw.com/2018/02/njideka-akunyili-crosby-from-nigeria-to-la
The Museum of Contemporary Art
(MOCA) is located in Los Angeles. http://www.virgini.moca.org/visit
The National Book Foundation has announced its 2018 5
Under 35 honorees. The list is “a selection of debut fiction
writers under the age of 25 whose work promises to leave a lasting impression
on the literary landscape,” according to the organization. Nominees are chosen by previous National Book
Award winners, finalists and longlisted authors, or writers previously recognized by the 5 Under
35 program. The 2018 5 Under 35 honorees
are as follows: Nana Kwame
Adjei-Brenyah, for his story collection Friday Black; Hannah
Lillith Assadi, for her novel Sonora; Akwaeke Emezi, for the
novel Freshwater; Lydia Kiesling, for the novel The Golden
State; and Moriel Rothman-Zecher, for his novel Sadness Is a White
Bird. The honorees were chosen
because of their handling of “issues of race, cultural identity, loyalty,
displacement and more,” according to the NBF’s press release. The honorees will be celebrated at an
invitation-only ceremony on November 12, 2018.
They will also receive a $1,000 prize.
Justin Kamp https://www.pastemagazine.com/articles/2018/09/national-book-award-releases-list-of-5-under-35-ho.html
Tahini (also tahina, Tehina,
Ardeh ), is a condiment made from toasted ground hulled sesame. Tahini is
served as a dip on its own or as a major component of hummus, baba ghanoush, and halva. Tahini is used in the cuisines of the Eastern
Mediterranean, the Caucasus, and the Middle East, as well as parts of North Africa. It is also used in Chinese and Southeast
Asian cuisine. Tahini is a loanword from Arabic.
There is also a sweet spread made from it called Halawa Taḥīniyya, which
roughly translates as sweet Tahini. The
word "tahini" appeared in English by the late 1930s. Plain, unprocessed sesame paste with no added
ingredients is sometimes known as raw tahini.
https://en.wikipedia.org/wiki/Tahini
See the Mesmerizing Pie Designs Instagram Is Obsessed
With--Meet an amateur baker on the rise
bLauren Ko's exactingly patterned pies and tarts (often
studded with motifs like dragon fruit trapezoids and kiwi triangles) belong
with the cream of the crop—now she's been catapulted into confectionary
stardom. See
also https://www.lokokitchen.com/ Lauren
Ko is a writer, artist, and self-taught baker with roots in San Diego. She is currently based out of Seattle,
WA.
May 8, 2018 A
highly acclaimed documentary about the Greek island of Patmos and
the world-famous monastery of St. John the Theologian describes how the history
of Patmos and of the Monastery, from the 1st century AD to the Roman era,
Byzantium, Ottoman Empire and finally to modern Greece, shaped Western
civilization. It also highlights the
fact that during Ottoman rule the Patmos monastery saved much of ancient Greek
literature. Texts of Aristotle,
Plutarch, of the three tragic poets and other great ancient classics are today
found in the monastery’s library and museum.
Tasos Kokkinidis https://greece.greekreporter.com/2018/05/08/patmos-the-greek-island-of-revelation-features-in-new-film-video/
Museum and Library in Patmos
The Monastery of St. John the Evangelist along with the Cave of the
Apocalypse, are World Heritage monuments by the educational, scientific and
cultural organization of the United Nations, UNESCO (Year of membership
1999). The Monastery of St. John the
Evangelist, is the first monument that collaborated with the Google Art
Project, so that Internet users can now admire more than 116 artifacts in
digital form at https://artsandculture.google.com/partner/patmos-monastery In
the inner narthex of the monastery, visitors can admire the icon of St. John
the Evangelist, donated by the emperor Alexios Komninos to Saint
Christodoulos. In the same area, there
is a chapel of Virgin Mary with frescoes of the 12th century. Last but not least, there is a rich library
with more than 2,000 texts, 900 codes and 13,000 documents, associated with the
history of the monastery and some of the first manuscripts of its founder,
Saint Christodoulos. https://www.patmosaktis.gr/en/location/patmos/sightseeing/159-museum-and-library-of-the-monastery#
Anna Burns
won the prestigious Man Booker Prize for fiction October 16, 2018 for
"Milkman," a vibrant, violent story about men, women, conflict and
power set during Northern Ireland's years of Catholic-Protestant violence. Burns is the first writer from Northern
Ireland to win the 50,000-pound ($66,000) prize, which is open to
English-language authors from around the world. The 56-year-old Belfast-born novelist said she
was "stunned" to have won. Burns
said her books took a long time to complete, and she has often struggled
financially since her first novel, "No Bones," was released in 2001. The writer said the germ of
"Milkman" came to her in the image of a teenage girl walking down a
street in a divided city while reading the novel "Ivanhoe." https://www.mprnews.org/story/2018/10/16/anna-burns-wins-man-booker-prize-for-milkman
The volcanic eruption that destroyed
the ancient Roman city of Pompeii probably took place two months later than previously thought,
Italian officials said on October 16, 2018.
Historians have traditionally
dated the disaster to Aug. 24 79 AD, but excavations on the vast site in
southern Italy have unearthed a charcoal inscription written on a wall that
includes a date which corresponds to Oct. 17.
The writing came from an area in a house that was apparently being
renovated just before the nearby Mount Vesuvius erupted, burying Pompeii under
a thick blanket of ash and rock. “Being
charcoal, fragile and evanescent, which could not last a long time, it is more
than likely that it was written in October 79 AD,” said Massimo Osanna, head of
the Pompeii site. The Aug. 24 date
derives from an account of the blast given by Pliny the Younger, who witnessed
the eruption and wrote about it almost 30 years after the event in two letters
to his friend, the Roman historian Tacitus. However, previous excavations have uncovered a
calcified branch bearing berries that normally only come out in autumn. The discovery of some braziers over the years
also suggested the disaster did not strike at the height of summer. Osanna suggested the correct date might have
been Oct. 24. Giulia Segreti See pictures at https://www.reuters.com/article/us-italy-pompeii/charcoal-inscription-points-to-date-change-for-pompeii-eruption-idUSKCN1MQ2CR
http://librariansmuse.blogspot.com Issue 1971
October 17, 2018 290th day of the
year
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