When every child is read aloud to
for 15
minutes every day from birth, more children will be ready to learn when they enter
kindergarten. Get tips and sign up for
newsletter at http://www.readaloud.org/
The haka is a type of ancient Māori war dance traditionally used on the battlefield, as well as
when groups came together in peace. Haka
are a fierce display of a tribe's pride, strength and unity. Actions include violent foot-stamping, tongue
protrusions and rhythmic body slapping to accompany a loud chant. The words of a haka often poetically describe
ancestors and events in the tribe's history.
Today, haka are still used during Māori ceremonies and celebrations to
honour guests and show the importance of the occasion. This includes family events, like birthdays
and weddings. Haka are also used to
challenge opponents on the sports field. You may have seen a haka performed by
New Zealand’s All Blacks before a rugby match? You’ll probably agree that it’s a terrifying
sight to behold! See pictures at https://www.newzealand.com/us/feature/haka/ See also https://www.tourism.net.nz/new-zealand/about-new-zealand/haka.html
One of the earliest known artworks
created by a European in what would become Indiana was by a British officer. On his way to battle the American rebels
holding the town of Vincennes in 1778, British officer Henry Hamilton sketched
a view of the Wabash River (artwork now in the collection of the Harvard
University Library.) As Indiana achieved
statehood and attracted new settlers, the demand for artists’ skills slowly
grew. The earliest artists were often
itinerant and usually met a variety of practical demands, creating portraits,
documenting settlements, and painting signs. Perhaps Indiana’s most
recognized group is the Hoosier Group, founded by T.C. Steele, William Forsyth, J. Ottis Adams, Otto Stark and Richard Gruelle in the 1890s. Best known
for adapting Impressionist techniques to the Indiana landscape, their influence
continues today. Read much more and see pictures at http://www.askart.com/art/Regional_Interests/1617/y/Indiana%20Artists
Winslow Homer
(1836–1910) is regarded by many as the greatest American painter of the nineteenth
century. Born in Boston and raised in
rural Cambridge, he began his career as a commercial printmaker,
first in Boston and then in New York, where he settled in 1859. He briefly studied oil painting in the spring
of 1861. In October of the same year, he
was sent to the front in Virginia as an artist-correspondent for the new
illustrated journal Harper’s Weekly. Homer’s earliest Civil War paintings, dating
from about 1863, are anecdotal, like his prints. As the war drew to a close, however, such
canvases as The Veteran in a New Field and Prisoners
from the Front reflect a more profound understanding of the war’s
impact and meaning. For Homer, the late
1860s and the 1870s were a time of artistic experimentation and prolific and
varied output. He resided in New York
City, making his living chiefly by designing magazine illustrations and
building his reputation as a painter, but he found his subjects in the
increasingly popular seaside resorts in Massachusetts and New Jersey, and in
the Adirondacks, rural New York State, and the White Mountains of New
Hampshire. In the summer of 1883, Homer moved from New York to
Prouts Neck, Maine, a peninsula ten miles south of Portland. Except for
vacation trips to the Adirondacks, Canada, Florida, and the Caribbean, where he
produced dazzling watercolors. Homer lived
at Prouts Neck until his death. He
enjoyed isolation and was inspired by privacy and silence to paint the great
themes of his career: the struggle of
people against the sea and the relationship of fragile, transient human life to
the timelessness of nature. By about
1890, Homer left narrative behind to concentrate on the beauty, force, and
drama of the sea itself. Read more at https://www.metmuseum.org/toah/hd/homr/hd_homr.htm See also SEA PAINTINGS: WINSLOW HOMER POEMS BY HANNAH FRIES at https://www.terrain.org/2016/poetry/hannah-fries/
and the art mystery novel involving
Tim Simpson tracking down an unknown watercolour by Homer of Cullercoats
at https://en.wikipedia.org/wiki/Winslow_Homer
A TANK AWAY FROM TOLEDO
Family and friends converged in Indiana on the 100th anniversary of the
birth of Leonard Bernstein (man of "unclassifiable talent") August
25, 2018. We met in Roanoke, enjoyed lunch at the Emporium and purchased
waygu beef and other items before visiting shops in the small town. Then we drove about 30 minutes to Fort Wayne
where the 10th Annual Taste of the Arts
Festival was in full swing.
We visited the art museum https://www.fwmoa.org/
and ended our adventure with a meal at Club Soda restaurant http://clubsodafortwayne.com/. The Fort Wayne Art Museum is currently featuring
exhibits Winslow Homer, From Poetry to Fiction and the 46th International
Invitational Glass Award Winners, both showing through September 23.
A Muse reader and fellow traveler in Roanoke, Indiana
had an affogato there and loved it. Here's the recipe: Affogato (Gelato “Drowned” in
Espresso) Recipe courtesy of all of
Italy Yield: 1 serving*
1 scoop vanilla or
hazelnut gelato
¼ cup hot espresso
¼ cup hazelnut liqueur, optional (not recommended for workday pick-me-ups) Scoop the gelato into a serving bowl, glass, or coffee cup. Stir the hot espresso and hazelnut liqueur (if using) together, then pour the mixture over the gelato. Serve immediately. *This recipe can be doubled, tripled, and quadrupled as needed to please the crowd (or your own needs). https://www.eataly.com/us_en/magazine/eataly-recipes/recipe-affogato/
¼ cup hot espresso
¼ cup hazelnut liqueur, optional (not recommended for workday pick-me-ups) Scoop the gelato into a serving bowl, glass, or coffee cup. Stir the hot espresso and hazelnut liqueur (if using) together, then pour the mixture over the gelato. Serve immediately. *This recipe can be doubled, tripled, and quadrupled as needed to please the crowd (or your own needs). https://www.eataly.com/us_en/magazine/eataly-recipes/recipe-affogato/
Medicare doesn't cover everything. If you need
certain services Medicare doesn't cover, you'll have to pay for them yourself
unless: You have other insurance that
covers them or you have a Medicare health plan that
covers them. Even if Medicare covers a
service or item, you generally have to pay your deductible, coinsurance,
and copayments. Some of the items and
services that Medicare doesn't cover include:
Long-term care (also
called custodial care),
most dental care, eye exams related to prescribing glasses, dentures, cosmetic
surgery, acupuncture, hearing aids and exams for fitting them, and routine foot
care. https://www.medicare.gov/what-medicare-covers/not-covered/item-and-services-not-covered-by-part-a-and-b.html
Because early diagnosis is key to successful
treatment, you may be wondering about Medicare coverage for glaucoma screening
tests. Medicare Part B covers
a screening every 12 months for those who are considered high risk. To be covered, you must get this test from an
eye doctor who’s legally authorized to perform the screening in your state. Medicare only covers the test for
beneficiaries who have a high risk of getting glaucoma. You’re considered high risk if any of the
following factors are true: You have
diabetes. you have a family history of glaucoma, you are an African American
and 50 years old or older, or you are a Hispanic American who is 65 years old
or older. Under Original Medicare, your
Part B costs for the glaucoma screening are as follows: You pay 20%
of the Medicare-approved cost for the test, and you also have to pay
the Part B deductible if you haven’t met it yet for that year. If you have the test in a hospital outpatient
setting (for example, an observation clinic), then you also have to pay a
copayment. https://medicare.com/coverage/does-medicare-cover-glaucoma/
How the Locals Say It follow-up: And there's
Havana (HAY-vana), Florida. Thank you,
Muse reader!
http://librariansmuse.blogspot.com Issue 1942
August 28, 2018
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