"The Wonderful Wizard of Oz" (1910) and "His
Majesty, the Scarecrow of Oz" (1914) -- Respectively, the first
surviving Oz film and the first produced and directed by Baum himself
Wizard of Oz (1925) -- A silent-movie adaptation
starring Oliver Hardy, pre-Laurel & Hardy, as the Tin ManThe Wizard of Oz (1939) -- The classic MGM musical starring Judy Garland
Journey Back to Oz (1974) -- Animated sequel voiced by Liza Minnelli, Garland's daughter, as Dorothy; Margaret Hamilton, the original Wicked Witch of the West, as Aunt Em; Milton Berle, Mickey Rooney, Paul Lynde, Herschel Bernardi, Danny Thomas and others
The Wiz (1978) -- Adaptation of the Broadway musical, with Diana Ross as Dorothy and Michael Jackson as the Scarecrow
Return to Oz (1985) -- Walt Disney Pictures' critically and commercially disappointing hybrid sequel to / retelling of the 1939 film Frank Lovece http://www.newsday.com/entertainment/movies/james-franco-is-the-wizard-in-new-oz-film-oz-the-great-and-powerful-1.4716615
Decades of riding and handling horses helped John Talip of
Ottawa Lake, Mich., land an on-the-set job during filming of Oz the Great and
Powerful. "I was a wrangler and
helped out with the horses on set when they did a lot of the filming," he
said. The movie was shot in the former
Raleigh Michigan Studios in Pontiac, Mich., a state-of-the-art studio built on
the site of the General Motors Centerpoint business campus. http://www.toledoblade.com/Movies/2013/03/08/Ottawa-Lake-man-s-experience-with-horses-lands-him-job-on-set-of-Disney-movie.html
There have been fierce battles over control of
Conan Doyle’s estate and the preservation
of his former home in Surrey, England — to say nothing of the wild speculations
surrounding the mysterious
2004 death of a prominent Holmes scholar who was found garroted with
a shoelace shortly before a controversial auction of Conan Doyle papers. But when the Baker Street Irregulars, an
invitation-only literary club, gathered for their annual
weekend in New York in January, few had any inkling they would soon
be embroiled in a distinctly 21st-century case that might be called “The
Adventure of the Social Media-Driven Copyright Debate, With Annotations on
Sherlockian Sexism and the True Nature of Literary Devotion.” A few weeks later, after a leading Holmes
scholar and longtime Irregular filed a legal complaint
against the Conan Doyle estate arguing that Sherlock Holmes and the basic
elements of his world were in the public domain, various online Sherlockian
conclaves exploded. “The suit has
wreaked havoc,” said Betsy Rosenblatt, an assistant professor at Whittier Law
School and a member of the Irregulars, who pointed to the spread of a
“#freesherlock” hashtag on Twitter. The
suit, which stems from the estate’s efforts to collect a licensing fee for a
planned collection of new Holmes-related stories by Sara Paretsky, Michael
Connelly and other contemporary writers, makes a seemingly simple argument. Of the 60 Conan Doyle stories and novels in
“the Canon” (as Sherlockians call it), only the 10 stories first published in
the United States after 1923 remain under copyright. Therefore, the suit asserts, many fees paid to
the estate for the use of the character have been unnecessary. But it’s also shaping up to be something of
what one blogger called “a Sherlockian Civil War.” On one side is Leslie S. Klinger,
a prominent lawyer from Malibu, Calif., and the editor of the three-volume,
nearly 3,000-page “New Annotated Sherlock Holmes,” as well as an editor of the
new collection. On the other is Jon Lellenberg, a retired Defense Department
strategist and, for the past 30 years, the Conan Doyle estate’s hard-nosed American
agent. If neither side is ready to cast
the other in the role of Professor Moriarty, Holmes’s arch-nemesis, the tide of
sympathy among Sherlockians is running strongly in Mr. Klinger’s favor. Jennifer Schuessler Read extensive article at: http://www.nytimes.com/2013/03/07/books/suit-says-sherlock-belongs-to-the-ages.html?hp&_r=0
Find the malapropism in this (paraphrased) sentence: If I want to let my dry food rot in my bowl,
that's my own peroxide. Bucky Katt in
Get Fuzzy comic strip, Mar. 15, 2013
Peeps at
60 Few products have achieved
the iconic status of PEEPS®, the yellow, chick-shaped marshmallow confection
beloved by children and adults alike. But, as popular as PEEPS® has become, it is
only one of the many delicious products produced by Just Born, an 87-year-old,
family-owned confectionery company based in Bethlehem, Pennsylvania. The Just Born candy tradition actually began
in 1910 when Sam Born emigrated to the U.S. from Russia. A candy maker by trade, Born used innovative technology
to produce chocolate sprinkles, known as Jimmies, and the hard chocolate
coating for ice cream bars. In 1916,
Born invented a machine that mechanically inserted sticks into lollipops. In 1923, Born opened a small candy-making and
retail store in Brooklyn, New York. He
marketed the freshness of his line of daily-made candy with a sign that
declared, “Just Born.” The company
thrived in spite of the economic depression of the 1930s and, in 1932, moved
its operations to an empty printing factory in Bethlehem, PA. The company continued to grow, aided by several key
acquisitions. In 1935, Just Born
acquired the prestigious Maillard Corporation, well known for elegant
hand-decorated chocolates, crystallized fruits, Venetian mints, jellies and
“the best bridge mix in the country.” In
1953, Just Born acquired the Rodda Candy Company of Lancaster, PA. Although Rodda was best known for its jelly
beans, it also made a small line of marshmallow products that included a
popular Easter Peep that was made by laboriously hand-squeezing marshmallow
through pastry tubes. http://www.justborn.com/get-to-know-us/our-history
Peeps in
libraries
Bedford,
Massachusetts http://www.bedfordlibrary.net/events/peeps.htmGeorgetown, Texas http://library.georgetown.org/peeps/frames/page1.html
Decatur, Illinois http://www.millikin.edu/staley/about/peeps/pages/default.aspx
Ann Arbor, Michigan http://www.annarbor.com/entertainment/peeps-contest-results/
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