FROM the Library of Congress: Search America's historic newspaper pages from
1789-1924 or use the U.S. Newspaper Directory to find information about
American newspapers published between 1690-present. http://chroniclingamerica.loc.gov/
COMING FROM the Library of Congress:
"As part of its web archiving program (https://www.loc.gov/webarchiving/), the Library of Congress is harvesting the Twitter
account of Donald J. Trump as part of a collection for the 2016 election.
The Library of Congress anticipates continuing to harvest this Twitter account
if President Elect Trump continues to use it in addition to, or perhaps instead
of, the existing POTUS Twitter account. These targeted web harvesting
efforts are separate from the Library’s acquisition of the wider body of
Twitter content.” http://www.bespacific.com/lc-to-harvest-twitter-account-of-donald-j-trump/
A SHORT HISTORY OF DENIM ©2014 Lynn Downey Levi Strauss & Co. historian A fabric called “serge de Nimes,” was known
in France prior to the 17th century. At
the same time, there was also a fabric known in France as “nim.” Both fabrics were composed partly of
wool. Serge de Nimes was also known in
England before the end of the 17th century.
The question then arises: is this
fabric imported from France or is it an English fabric bearing the same
name? According to Ms. Gorguet-Ballesteros,
fabrics which were named for a certain geographic location were often also made
elsewhere; the name was used to lend a certain cachet to the fabric when it was
offered for sale. Therefore a “serge de
Nimes” purchased in England was very likely also made in England, and not in
Nimes, France. There still remains the
question of how the word “denim” is popularly thought to be descended from the
word “serge de Nimes.” Serge de Nimes
was made of silk and wool, but denim has always been made of cotton. What we
have here again, I think, is a relation between fabrics that is in name only,
though both fabrics are a twill weave.
Then, to confuse things even more, there also existed, at this same
time, another fabric known as “jean.”
Research on this textile indicates that it was a fustian--a cotton,
linen and/or wool blend--and that the fustian of Genoa, Italy was called jean;
here we do see evidence of a fabric being named from a place of origin. By the 18th century jean cloth was made
completely of cotton, and used to make men’s clothing, valued especially for
its property of durability even after many washings. Read more at http://www.levistrauss.com/wp-content/uploads/2014/01/A-Short-History-of-Denim2.pdf
QUOTES from The Last Bookaneer, a novel by Matthew Pearl
"Nothing in the world—not a ton of bricks—feels
as heavy as books being moved.” “Strangers talking over piles of books do
not remain strangers for long.” "The high seas of literature swarm with
plunderers."
Bookaneer was coined by the poet and author Thomas Hood in a
letter in The Athenaeum of
22 April 1837 under the title Copyright and Copywrong: “If a work be of temporary interest it shall
virtually be free for any Bookaneer to avail himself of its pages and its
popularity with impunity.” The extent of
the problem was described in an American publication at the middle of the
century: No sooner is a literary venture
of Bulwer, Thackeray, or Dickens afloat, than a whole baracoon of “bookaneers,”
as Hood called them, rushes forth to seize it.
The Metropolitan (Baltimore),
March 1853. A barracoon was a rough barracks used for the
temporary confinement of slaves or criminals.
Matthew Pearl writes in The Last Bookaneer: “Bookaneers
would not describe themselves as thieves, but they would resort to almost any
means to profit from an unprotected book.”
Dickens had a very public battle with piratical American periodicals and
satirised their activities in Martin Chuzzlewit, the
serial parts of which were reprinted in the very publications he was
lambasting. http://www.worldwidewords.org/weirdwords/ww-boo3.htm
What we term "copyright" is understood as as international
system that legally protects the rights of an author or owner of published and
unpublished works, including letters and playscripts, against plagiarism, or
other unauthorised reproduction or publication of that work. No sooner had William Caxton set up his
printshop in London that an act (I Richard. 3 c. 9) was passed to regulate the
British book-trade. This Tudor statute permitted
the importation of foreign books because the legislators of the late fifteenth
and early sixteenth England believed that such a practice would encourage the
growth of learning. Until 1709 copyright
was legally available only to printers and publishers, who regarded copyrights
as perpetual investments. The 1709
Statute of Queen Anne first made it legal for anyone--even a writer--to own a
copyright, but only for fourteen years (or twenty-eight, if the author survived
the first fourteen). The Copyright Acts
of 1709, 1814, and 1842 increased the duration of protection from fourteen, to
twenty-eight, to forty-two years respectively.
George III re-established the concept of perpetual copyright in law, but
only for the universities of the United Kingdom, whose libraries enjoy the
right of "demand"--i. e., the right to require from a British author
a copy of his published work. Between
1735 and 1875, no less than thirteen parliamentary acts governed the legal
application of copyright in the United Kingdom.
In 1896 the American Congress
joined the international copyright union, after petitions directed at it by
such noted British novelists as Maria Edgeworth, Benjamin
Disraeli, and Charles Dickens,
beginning in 1837. Their pleas had
fallen on deaf ears in the American government until joined by those of
Americans such as Mark Twain, who complained that he was fed up with
publishers' ignoring American works in favour of those of English writers,
whose books could be re-printed more cheaply because there were no royalty
costs. A further point of exacerbation
for Twain was Canadian piracies of his works, which he attempted to prevent by
establishing temporary residence in Canada on the date of publication of each
of his works. Read much more at http://www.victorianweb.org/authors/dickens/pva/pva74.html
Within two weeks of the publication of A Christmas
Carol, volumes reportedly were selling on the streets of New York for
pennies. Charles Dickens’s
objection to the loss of income as a result of America’s disrespect for the
ownership rights in his creations was loud and bold. American writers fared no better in Great
Britain. The works of Edgar Allen Poe
and Henry Wordsworth Longfellow found no protection in London and its environs.
The United States simply did not honor
the copyrights of authors who were not American citizens and, as a result,
Great Britain would not honor the copyrights of American authors. With a treasure trove of English literature
free for the taking, American publishers simply didn’t pay authors, especially
unknown American authors, for their work. Without a day job, writers would starve (think
Edgar Allen Poe) or go bankrupt (think Sir Walter Scott). Dickens’s advocacy of copyright law was
punished by the American Press as an attempt to upend the publishing industry
and attack their profit center—royalty-free content. They set out to ruin his reputation. Surprisingly, even Walt
Whitman jumped on the anti-copyright,
Dickens-is-an-evil-agent-of-the-British crusade. Dickens ended his first visit to America
surprised and dismayed at how the popular tide had turned against him. When he returned in 1867, he had mastered a
way to generate alternative income streams based on his celebrity status. He performed readings of his work to packed
houses and collected the receipts from the door. He also gave the
exclusive rights to
his next novel The Mystery of Edwin Drood to the American publishing house that
sponsored his reading tour. He was
ultimately unable to take advantage of that deal. Dickens died in 1870 before he finished the
book. Kathryn Goldman http://www.charmcitylegal.com/charles-dickens-and-the-american-copyright-problem/
http://librariansmuse.blogspot.com
Issue 1663 December 12, 2016 On this date in 1787, Pennsylvania became the second state to ratify the United States
Constitution, five days after Delaware became
the first. On this date in 1897, Belo Horizonte, the first planned city in Brazil, was founded. Word of the Day cockalorum noun
(1) A menial, yet self-important person; a person who makes empty boasts.
(2) Boastful speech, crowing.
(3) A game similar to leapfrog.
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