Thursday, October 1, 2015

Feedback to A.Word.A.Day with Anu Garg
From:  Ellen Blackstone  Subject:  Silence  Soon silence will have passed into legend.  Man has turned his back on silence.  Day after day he invents machines and devices that increase noise and distract humanity from the essence of life, contemplation, meditation. Tooting, howling, screeching, booming, crashing, whistling, grinding, and trilling bolster his ego.--Jean Arp, artist and poet (16 Sep 1887-1948)  This quotation reminded me of recordist Gordon Hempton’s search for “one square inch of silence”--not actual silence of course, but the absence of manmade sounds--in the Hoh Rain Forest in western Washington State.  Here’s Gordon’s recording, as found on BirdNote.
From:  David Fischer  Subject:  capriole  “Capriole” has several special meanings in the world of early music, all more or less related to leaping.  Thoinot Arbeau’s “Orchesographie” is the most significant discussion of dance steps and music before 1600.  In this work, Capriol is the student who wishes to improve his social skills by learning dancing.  A capriole was also the leap occurring at the end of every six-step pattern in the galliard.  The Capriol Suite is a beautiful modern setting of several renaissance dances by Peter Warlock.
From:  Jeff Balch  Subject:  Cervantes/Shakespeare anachronicity  In the previous issue of AWADmail, Jack Miles wrote, “It may be of interest to note that both Miguel de Cervantes and William Shakespeare died on the same day, April 23, 1616.”  Cervantes and Shakespeare did not die on the same day.  Shakespeare died a week and half later.  While Spain had adopted the Gregorian calendar in 1582, England remained behind the times, sticking with the Julian calendar until 1752.  When Shakespeare died on April 23, 1616 in England, it was May 3rd in Spain, and Cervantes was long gone.

Graphic artist Kenneth Larsen kicked off 2014 with a fun new original “Dallas” illustration.  In a comic-style piece, Larsen revisits Pam Ewing’s magic shower stall, and keeps the dream alive with a tongue-in-cheek spin on the infamous Dream Season cliffhanger.  Larsen’s sharp-witted twist on “Dallas’s” most controversial season-ender continues a tradition of parodies of Leonard Katzman & Co.’s crazy plan to bring a dead-and-buried Bobby Ewing back to freshly lathered life in the “Dallas” season 9 finale.  The outrageous writing stunt has been fodder for numerous television and pop culture parodies over the last 25 years.  Most famously, in 1990, when Bob Newhart’s second hit sitcom “Newhart” was signing off CBS, Bob Newhart brilliantly made its final punchline a mashup homage to both his earlier hit sitcom, “The Bob Newhart Show” and “Dallas.”  Bob Newhart recounts that his real life wife Ginnie proposed the idea to Newhart at a holiday party several years before the show’s end.  Suzanne Pleshette jumped at the chance to be in on the joke when the time came.  Read about Family Guy with live-action cameos by Victoria Principal and Patrick Duffy reprising their roles at Bobby and Pam Ewing (1999); TNT "Shower" Campaign  a parody ad campaign for its revival of the 80’s soap.  TNT and Grey New York developed an ad campaign based around the original series’ controversial shower scene to reveal the cast of the new series (2012); and Breaking Bad alternate ending (2013).  See graphics and link to a couple of videos at http://dallasdivasderby.com/blog/2014/01/kenneth-larsen-keeps-the-dream-alive/

The term jack- o’-lantern was first applied not to pumpkins, but people.  As far back as 1663, the term meant a man with a lantern, or a night watchman.  Just a decade or so later, it began to be used to refer to the mysterious lights sometimes seen at night over bogs, swamps, and marshes.  These ghost lights—variously called  jack-o’-lanterns, hinkypunks, hobby lanterns, corpse candles, fairy lights, will-o'-the-wisps, and fool's fire—are created when gases from decomposing plant matter ignite when they come in contact with electricity or heat or as they oxidize.  For centuries before there was this scientific explanation, people told stories to explain the mysterious lights.  In Ireland, dating as far back as the 1500s, those stories often revolved around a guy named Jack.  As the story goes, Stingy Jack, often described as a blacksmith, invited the Devil to join him for a drink.  Stingy Jack didn't want to pay for the drinks from his own pocket, and convinced the Devil to turn himself into a coin that could be used to settle the tab.  The Devil did so, but Jack skipped out on the bill and kept the Devil-coin in his pocket with a silver cross so the Devil couldn’t shift back to his original form.  Jack eventually let the Devil loose, but made him promise that he wouldn’t seek revenge on Jack, and wouldn’t claim his soul when he died.  The legend immigrated with Irish laborers to the New World and collided with another Old World tradition and a New World crop.  Making vegetable lanterns was a tradition of the British Isles, and carved-out turnips, beets, and potatoes were stuffed with coal, wood embers, or candles as impromptu lanterns to celebrate the fall harvest.  As a prank, kids would sometimes wander off the road with a glowing veggie and trick their friends and travelers into thinking they were Stingy Jack or another lost soul.  In America, pumpkins were easy enough to come by and good for carving, and got absorbed both into the carved lantern tradition and the associated prank.  Over time, kids refined the prank and began carving crude faces into the pumpkins to kick up the fright factor and make the lanterns look like a disembodied heads.  By the mid-1800s, Stingy Jack’s nickname was applied to the prank pumpkin lanterns that echoed his own lamp, and the pumpkin jack-o’-lantern got its name. 

Berkman Center Launches New Internet Data Dashboard   Dashboard debuts at World Economic Forum meeting in Geneva   September 28, 2015  Cambridge, MA—The Berkman Center for Internet & Society at Harvard University is pleased to announce the launch of the Internet Monitor dashboard, a freely accessible tool that aims to improve information for policymakers, researchers, advocates, and user communities working to shape the future of the Internet by helping them understand trends in Internet health and activity through data analysis and visualization.  “Over three billion people around the globe use the Internet—for communication, for education, for livelihood,” said Urs Gasser, Executive Director of the Berkman Center.  “As the Internet becomes a vital part of more and more people’s lives and as we shape its future, we need both data and analysis to help understand how it’s working.  The Internet Monitor dashboard brings this data and analysis together in an easily shareable way.”  The dashboard lets users customize a collection of data visualization widgets—some offering real-time data—about Internet access and infrastructure, online content controls, and digital activity.  Users can create multiple collections that enable easy comparisons across countries and data sources, and are quick to configure, edit, and share.  In addition to creating their own collections, visitors to the dashboard will be able to view a selection of featured collections based on topics such as online media and network traffic around the world.  Read more and see graphics at https://cyber.law.harvard.edu/node/99141

Everyone you know will be able to rate you on the terrifying ‘Yelp for people’—whether you want them to or not by Cailin Dewey   The most surprising thing about Peeple—basically Yelp, but for humans—may be the fact that no one has yet had the gall to launch something like it.  When the app does launch, probably in late November, you will be able to assign reviews and one- to five-star ratings to everyone you know:  your exes, your co-workers, the old guy who lives next door.  You can’t opt out—once someone puts your name in the Peeple system, it’s there unless you violate the site’s terms of service.  Users can “report anything they deem inaccurate” to the site.  https://www.washingtonpost.com/news/the-intersect/wp/2015/09/30/everyone-you-know-will-be-able-to-rate-you-on-the-terrifying-yelp-for-people-whether-you-want-them-to-or-not/

Jennifer Ries and her husband were traveling to the airport for an international trip when she decided she should charge her e-cigarette battery.  After plugging the device into the car's charger, liquid started dripping from the battery, she said.  The car filled with a smell like nail polish remover.  Then, with a loud bang, the battery exploded.  Flames shot out, catching Ries' dress and seat on fire.  On September 30, 2015, a Riverside County Superior Court jury awarded her nearly $1.9 million in a lawsuit she brought against the electronic cigarette's distributor, VapCigs; its wholesaler, Cartons 2 Go; and the Corona store where she bought it, Tobacco Expo.  Her product liability lawsuit alleged that the businesses in the supply chain were "involved in the distribution of a product that failed to conform to any kind of reasonable safety expectation—battery chargers should not explode—and failed to warn about known dangers."  Ries' attorney, Gregory L. Bentley, said he believed the case was the first e-cigarette explosion lawsuit to be tried in the United States.  Bentley said that despite huge sales, the fledgling e-cigarette industry is largely unregulated, with few safeguards for consumer protection.  Electronic cigarettes have been available for sale in the United States since 2007, and constitute a multibillion-dollar industry, with more than 2.5 million users, according to a 2014 report on e-cigarette fires and explosions by the U.S. Fire Administration.  The report included an analysis of 25 e-cigarette fires since 2009, based on media reports.  Of those, 20 of the fires were caused when the device's battery was being charged, the report said. Ries' case was included in the report.  The Fire Administration said e-cigarettes often use lithium-ion batteries that include flammable liquid electrolytes that can explode when they overheat, such as when they receive too much voltage while charging.  Many e-cigarettes have USB ports for connecting the device to power adapters provided by the manufacturer.  But the "ordinary USB port charging connections" allow users to plug them in to other adapters or USB ports—which can provide varied voltages and electric current.  If the battery receives too much current, it can explode, the report said.  Hailey Branson-Potts  http://www.latimes.com/local/crime/la-me-ecigarette-burns-verdict-20151001-story.html
  

http://librariansmuse.blogspot.com  Issue 1355  October 1, 2015  On this date in 1880, John Philip Sousa became leader of the United States Marine Band.  On this date in 1908, Ford put the Model T car on the market at a price of US$825.

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