Deuki Hong still remembers the day he
discovered what kimchi really was. As is true for most Koreans, "there was never a
time in my life when kimchi wasn't in my refrigerator," says Hong, the
chef at Korean fried chicken shop Sunday Bird in
San Francisco and coauthor of the cookbook Koreatown. But
when he started learning to cook in middle school, he was always more
interested in watching Jacques Pépin reruns on the weekend than in the fiery
red fermented cabbage that was always in the kitchen, which, to him, symbolized
his inherited knowledge of everything about Korean cuisine. Then his mother took him to the grocery store
in New York where she'd been buying their kimchi. "There was this whole section of red and
green and white," he says—jars of heart-shaped perilla
leaves and soybeans, and, traumatically, little quart containers of
shucked oysters and julienned carrots.
"It was a culture shock to me, even though it was my own
culture," Hong remembers. "I
thought [kimchi] was just one dish."
But kimchi is a lot more than cabbage.
The term "is actually more of an active verb," says Lauryn Chun, the
founder of Mother-in-Law's Kimchi and the author of an excellent primer on the
subject, The Kimchi Cookbook. "You can 'kimchi' just about
anything." https://www.seriouseats.com/2017/11/guide-to-kimchi.html Find location of H Mart stores selling Korean
food at https://www.hmart.com/ourstores
It sounds like something from Carlos Ruiz Zafón’s The
Shadow of the Wind and his The Cemetery of Forgotten Books: a huge volume containing thousands of
summaries of books from 500 years ago, many of which no longer exist. But the real
deal has been found in Copenhagen, where it has lain untouched for more than 350
years. The Libro de los Epítomes
manuscript, which is more than a foot thick, contains more than 2,000 pages and
summaries from the
library of Hernando Colón, the illegitimate son of Christopher Columbus who
made it his life’s work to create the biggest library the world had ever known
in the early part of the 16th century. Running to around 15,000 volumes, the library
was put together during Colón’s extensive travels. Today, only around a quarter of the books in
the collection survive and have been housed in Seville Cathedral since 1552. The discovery in the Arnamagnæan Collection
in Copenhagen is “extraordinary”, and a window into a “lost world of
16th-century books”, said Cambridge academic Dr Edward Wilson-Lee, author of
the biography of Colón, The
Catalogue of Shipwrecked Books. The manuscript was found in the collection of Árni
Magnússon, an Icelandic scholar born in 1663, who donated his books to the
University of Copenhagen on his death in 1730. The majority of the some 3,000 items are in
Icelandic or Scandinavian languages, with only around 20 Spanish manuscripts,
which is probably why the Libro de los Epítomes went unnoticed for hundreds of
years. It was Guy Lazure at the
University of Windsor in Canada who first spotted the connection to Colón. The Arnamagnæan Institute then contacted Mark McDonald at the Metropolitan
Museum of Art in New York, who passed it on to Wilson-Lee and his co-author
José María Pérez Fernández, of the University of Granada, for
verification. After amassing his
collection, Colón employed a team of writers to read every book in the library
and distill each into a little summary in Libro de los Epítomes, ranging from a
couple of lines long for very short texts to about 30 pages for the complete
works of Plato, which Wilson-Lee dubbed the “miracle of compression”. Because Colón collected everything he could
lay his hands on, the catalogue is a real record of what people were reading
500 years ago, rather than just the classics. “The important part of Hernando’s library is
it’s not just Plato and Cortez, he’s summarising everything from almanacs to
news pamphlets. This is really giving us
a window into the entirety of early print, much of which has gone missing, and
how people read it--a world that is largely lost to us,” said Wilson-Lee. Wilson-Lee and Pérez Fernández are currently
working on a comprehensive account of the library, which will be published in
2020. They are also working to digitise
the manuscript, in collaboration with the Arnamagnæan Institute. Alison Flood
https://www.theguardian.com/books/2019/apr/10/extraordinary-500-year-old-library-catalogue-reveals-books-lost-to-time-libro-de-los-epitomes
Maybe it was part of President Donald Trump's ongoing
campaign to end the "war on Christmas," freeing up believers to
openly extol the virtues of stollen bread without fear of running afoul of
fruitcake hate groups. Whatever the case, Trump on May 5, 2019 was
responding to a tweet from Jerry Falwell Jr., son of the famous Southern
Baptist pastor and president of Liberty University in Lynchburg, Virginia, who
suggested the president should have two years added to his first term as
"pay back for time stolen by this corrupt failed coup." The term "failed coup" was a
reference to special counsel Robert Mueller's two-year investigation. An excerpt from the tweet: "they have stollen two years of my (our)
Presidency" The
misspelling sent readers back to 14th-century Germany, where stollen bread was
reportedly created around Dresden in 1329. Despite its inclusion of raisins, citron and
butter, stollen apparently assumed a more ascetic persona during Lent, the 40
days when Christians may fast or make other sacrifices. During Lent, bakers, it seems, were required
to use only flour, oats and water to make stollen. But as the treat became associated with the
Christmas holidays, stollen reverted to its original form as a yeasted bread
laced with candied fruit and spices. The
term "stollen" is derived from the German word for
"tunnel," specifically to the type of man-made tunnels carved into
the earth. The area around Dresden has
historically been mining country. Tim
Carman https://www.ndtv.com/world-news/donald-trump-a-single-typo-turns-a-german-holiday-bread-into-a-twitter-star-2033906
Illustrations of the Nests and Eggs of Birds of
Ohio was created
by a remarkable American family.
Inspired by viewing Audubon’s lithographs at the 1876 World’s Fair,
twenty-nine year old artist Genevieve Jones began work on a companion to Birds of America, but this time illustrating the nests
and eggs that Audubon left out. Her
brother collected the nests and eggs, her father paid all publishing costs, and
Genevieve and her girlhood friend learned lithography and undertook the work of
a lifetime. Ninety copies were
originally printed in 1886, and only about twenty-five copies exist as of 2012. Originally the Jones family took
subscriptions for the eventual publication of the book. Among the original subscribers: President Rutherford B. Hayes, and a young
Harvard college student by the name of Theodore Roosevelt. “If Audubon is the Robinson Crusoe of nature
art, then the Jones are the Swiss Family Robinson." Jonathan Rosen, author of The Life of the Skies
See pictures at https://landlibrary.wordpress.com/2012/05/09/a-young-artists-vision-and-the-family-that-saw-it-through/ See also https://www.sil.si.edu/ondisplay/nestsandeggs/essay.htm
The First
Transcontinental Railroad (known originally as the "Pacific
Railroad" and later as the "Overland
Route") was a 1,912-mile (3,077 km) continuous railroad
line constructed between 1863 and 1869 that connected the existing eastern U.S.
rail network at Omaha, Nebraska/Council Bluffs, Iowa with
the Pacific coast at the Oakland Long Wharf on San Francisco Bay. The rail line was built by three private
companies over public lands provided by extensive US land grants. Construction
was financed by both state and US government subsidy bonds as well as by company
issued mortgage bonds. The railroad
opened for through traffic when CPRR President Leland Stanford ceremonially drove the
gold "Last Spike" (later often referred to as the "Golden Spike") with a silver hammer
at Promontory Summit. See picture of the Last Spike ceremony on May
10, 1869 at https://en.wikipedia.org/wiki/First_Transcontinental_Railroad
http://librariansmuse.blogspot.com Issue 2095
May 10, 2019
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