Espresso Rub
3 tbsp. ground espresso, 1 tbsp. salt, 1 tsp. pepper, 1 tbsp. sugar in
the raw. Mix and store in a container at
room temperature.
Cocoa-and-Espresso Rub by Emily Nabors Hall https://www.realsimple.com/food-recipes/browse-all-recipes/cocoa-and-espresso-rub-for-steak
"I’m not a health nut or a great chef,” claims the man who cooked for the previous
administration’s first family and performed a pantry makeover at Michelle
Obama’s request. “I’m a good cook.” He is former White House senior adviser for nutrition policy
Sam Kass, and we’ve taken enough of a spin through his new
cookbook, “Eat a Little Better,” to endorse it in a
spirit of true nonpartisanship. This
dish, and its provenance, caught our attention in particular. Called POTUS’s Lucky Pasta, it was devised by
Kass on the fly before the second of three debates—tossed together on Air
Force One, in fact. It put Barack Obama
in such good spirits that it might have been responsible for changing the
momentum of the 2012 presidential election. Kass made it for him again, and even on
Election Day; hence, the name. To keep
things apolitical, we’re going with a straight-up descriptive title instead. Pecans lend a sweetness to the pesto, and
spinach amps up the green power. (He
uses fresh spinach; we have Dinner in Minutes Pantry-friendly frozen
spinach that defrosts in no time.) Kass
added cooked chicken breast to the mix for his boss, but canned chickpeas are
our added protein of choice here, some of which are mashed to add texture that
further brings the pasta together. The
recipe makes enough to feed a hungry bunch and send off leftovers for a future
lunch. You’ll feel lucky to have it. Bonnie S.
Benwick Find recipe at https://www.washingtonpost.com/news/voraciously/wp/2018/05/01/this-pesto-penne-has-a-presidential-pedigree/?noredirect=on&utm_term=.7d7c36886a12
The Right To Browse: A Library Puts Books Into Storage And Readers
Cry Foul by CLAIRE MCINERNY broadcast on All Things Considered May 2, 2018 An unusual sound fills the once silent
space. On the main floor of the Fine Arts Library at the University of Texas at
Austin, a 3D printer softly whirs. Tim
Zawistowski stands over the printer, trying to create a miniature tree for a
model he's building. Someday, the
sophomore hopes to design lighting and projections for live events. The 3D printer is part of the library's new
makerspace. It sits alongside laser
cutters, virtual reality headsets, sewing machines and computers with software
for editing video and audio. The
technology was added this school year, and its presence in the library has
stirred a heated debate in the College of Fine Arts. The drama began with Doug Dempster, the dean
of the College of Fine Arts, trying to solve two problems at once. Enrollment was dropping and so was traffic in
the library. Dempster realized both
needed an upgrade. So, first, the school
added new, tech-heavy programs, including instruction in video game, sound and
light design. They've been a big hit. "These new programs are growing so
fast," Dempster says, "that they've already added about 30 or 40
percent to our undergraduate enrollments in the College of Fine Arts." But these new programs—and new students—needed
new technology and somewhere to house it all. With space at a premium, Dempster made a
controversial choice: the main floor of
the library. To make room, librarians
removed tens of thousands of books and other materials that hadn't been checked
out in years. The items were put into
storage—some across town, some a few hours away. Students can still request them; it just might
take a few days to get them back to the library. Jeffrey Chipps Smith, a professor of art
history, isn't happy. He says those
books were still being used, even if they weren't being checked out. "A lot of the time, when I use the
library, you're not necessarily checking something out," Smith says. "You're going upstairs to look at an
article in a periodical, you're going to check a reference for something and so
you may open a few books and find what you need and put them back." Many students share Smith's concern. In fact,
some were so upset that, when Dempster spoke at a conference in March, they
chanted outside, "Our books, our say, you can't take our books away." Their argument boils down to this: In research, you don't always know what you're
looking for, and it's difficult to browse and discover a new, helpful source if
the books are only accessible via a search engine. Lorraine Haricombe, the university's vice
provost of libraries, says libraries are like oxygen: It's easy to take them for granted. After months of pushback, Dempster, the
college's dean, convened a task force to find solutions. The university recently approved some of the
committee's recommendations, including renovating the library to create more
shelf space. https://www.npr.org/sections/ed/2018/05/02/601852816/the-right-to-browse-a-library-puts-books-into-storage-and-readers-cry-foul
Grapevines were already cultivated for wine production
in the vicinity of Capezzana 3000 years ago. The present vineyard was named
in Roman times, and written records of the present vineyard date to 932
A.D. During the Renaissance, the
property was controlled by the Medici family.
The estate passed by marriage through several noble Tuscan families,
until it came under the control of the Contini Bonacossi family early in the
20th century. https://www.wine.com/product/capezzana-barco-reale-2014/153646
Carmignano is an Italian wine region located in the Tuscany region
and centered on the city of Carmignano,
about 10 miles (16 kilometers) northwest of Florence. Noted for the quality of its wines since
the Middle Ages, Carmignano was identified by Cosimo III de' Medici, Grand Duke of Tuscany as one of the superior wine producing areas of
Tuscany and granted special legal protections in 1716. In the 18th century, the producers of the
Carmignano region developed a tradition of blending Sangiovese with Cabernet Sauvignon, long before the practice became popularized by the
"Super Tuscan" of the late 20th century. In 1975, the
region was awarded Denominazione di origine
controllata (DOC) status and subsequently promoted
to Denominazione di Origine Controllata e Garantita (DOCG) status in
1990 (retroactive to the 1988 vintage. Today Carmignano has approximately 270 acres (110 ha) planted,
producing nearly 71,500 gallons ( 2,700 hectoliters)
of DOCG designated wine a year. In 1932,
the Dalmasso
Commission (in establishing an
early precursor to the Denominazione di origine controllata system)
officially grouped Carmignano with the Chianti sub-zone
of Chianti
Montalbano. This was because of the proximity of the two
regions and similarity in altitudes and
annually yearly temperature. But the
Carmignano region produced distinctly different wines from Chianti due, in
part, to the tradition of including Cabernet Sauvignon in the blend with
Sangiovese. While some theories suggest
that this practice dates back to the time of the Medici (with those early vines
subsequently being wiped out during the phylloxera epidemic), the practice became more common during the 20th
century. Vine cuttings of
Cabernet from Château Lafite
Rothschild in Bordeaux were
imported and by 1975 Carmignano was the first DOC to be awarded official
sanctioning for the use of Cabernet in the blend. The Carmignano DOCG zones covers
roughly 270 acres (110 ha) of planted land producing nearly 71,500 gallons
(2,700 hl) of DOCG wine a year. Current
DOCG regulations mandate that Sangiovese must constitute at least 50% of the
blend, allowing up to 10–20% Cabernet Sauvignon or Cabernet
Franc, up to 20% Canaiolo Nero, up to 5% Mammolo and Colorino as
well as up to 10% white grape varieties like Trebbiano or Malvasia to
make up the rest of the blend. If the
wine is aged for at least 3 years prior to release, the wine can qualify for
a Riserva designation.
A separate DOC, known as Barco Reale was established for
younger or "declassified" Carmignano DOCG wines. The Carmignano region is located on a series
of low lying hills at altitudes between 160–650 feet (50–200 meters)
above sea
level. The low altitude of the
region produces Sangiovese based wines with lower acidity and
more pronounced tannins than those associated with other Tuscan
wine regions such as Chianti
Classico. https://en.wikipedia.org/wiki/Carmignano_DOCG
On May 5, 2018, Justify won the 144th Kentucky Derby in
spectacular fashion, laying to rest the 136-year-old Curse of Apollo, the rule
that said no horse could win the Derby without having run as a 2-year-old. The newest champion of Churchill did not run
his first race until Feb. 18, and started as the 5-2 favorite on Saturday
despite having run just three times. Bob
Baffert, who trained American Pharoah to the Triple Crown in 2015, knows superior talent
trumps all established rules. He did not
hesitate to draw the comparison with his most famous champion in the wake of
Justify’s victory. With his romp in the
$2.192-million race before a soggy crowd of 157,813, Justify gave Baffert his
fifth Derby victory, one short of the record held by Ben Jones. Childs Walker
http://www.baltimoresun.com/sports/horse-racing/bs-sp-kentucky-derby-0505-story.html
The Cavaliers
are one win away from making it back to the Eastern Conference Finals, and, at
times during the 2018 NBA playoffs, it has felt like LeBron James has had to win games on his own. The rest of Cleveland's roster has just been
along for the ride for the most part, which was the premise of this very
timely Saturday Night Live sketch that was cut for time on
May 5, 2018. The Cavs' point guard is a Roomba.
See 1:52 "The Other Cavaliers" video at https://www.usatoday.com/story/sports/ftw/2018/05/06/snl-roasts-lebrons-teammates-in-hilarious-sketch-about-the-other-cavaliers/111160618/
http://librariansmuse.blogspot.com Issue 1884
May 7, 2018
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