The pioneers of the sustainable farming
movement are mourning what they call the downfall of the
organic program, following a November 1, 2017 vote by a group
of government farming advisers that could determine the future of the $50
billion organic industry. At issue was
whether a booming generation of hydroponic, aquaponic and aeroponic farms—which
grow plants in nutrients without using soil, frequently indoors—could continue
to sell their produce under the “organic” label. In a series of narrow votes, an advisory
board to the U.S. Department of Agriculture voted to allow the majority of
these operators to remain a part of the organic program. The November 1 recommendation, issued by the
National Organic Standards Board, came in four parts. The board voted to keep
out aeroponic farming, which grows plants—typically herbs and leafy
greens—suspended in the air with their roots exposed. But it voted to allow hydroponics, which grow
plants in water-based nutrient solutions, and aquaponics, which combine
hydroponic systems with farmed fish operations.
The board also declined to tighten its restrictions on container
growing, a variation on hydroponics that involves raising plants in
containers filled with a mixture of organic matter, water and nutrients. That system has been adopted by a number of
major organic berry growers, such as Driscoll’s and Wholesum Harvest. During NOSB testimony Tuesday, several
organic farmers protested the certification of hydroponic farms, wearing T-shirts that said “Save the
Organic Label.” At recent rallies in
Hanover, N.H., and Burlington, Vt., protesters held signs with slogans such as
“keep the soil in organic.” “This notion
that organic farmers are stuck in the past, or that they’re a bunch of Luddites
hanging on to the way things used to be—that’s a misnomer,” said Cameron Harsh,
the senior manager for organic and animal policy at the Center for Food Safety.
“Soilless systems are just incompatible
with the organic program and its regulations.”
But in a series of close 8-7 votes, the NOSB appeared to disagree. Instead, it sided with hydroponic
growers, many of whom have spent several years and several thousand
dollars acquiring their organic certification.
Their advocates have argued that soilless farming is consistent with the
goals of the organic program: It
utilizes organic fertilizers and cuts down on pesticide and water use—often to
levels much lower than those on land-based organic operations. Because hydroponic farms are frequently built
indoors, they are said to provide opportunity to urban
growers who could not otherwise access agricultural land. Caitlin Dewey
https://www.washingtonpost.com/news/wonk/wp/2017/11/02/pioneers-of-organic-farming-are-threatening-to-leave-the-program-they-helped-create/?utm_term=.3a55275160f5
The Motograph News Bulletin, or "zipper" as it was
known informally, was an impressive sight when it was first unveiled in the
fall of 1928. It extended 380 feet
around the fourth floor of what was then the Times Tower at One Times Square--the
second tallest building in Manhattan when it opened in 1904. With a band five-feet tall, the moving
letters, comprising 14,800 light bulbs, were visible from a distance of several
city blocks. November 6, 1928also
happened to be election day in the United States, and the zipper's first message
was "Herbert Hoover defeats Al Smith." The zipper, also known at that time as the
"Motogram" sign, was installed for The New York Times by
Frank C. Reilly, who is credited as being the inventor of electric signs with
moving letters. According to a New York
Times article, "Inside the control room, three cables poured
energy into transformers. The hookup to
all the bulbs totaled 88,000 soldered connections. Messages from a ticker came to a desk beside
a cabinet like the case that contained type used by old-time compositors. The cabinet contained thin slabs called letter
elements. An operator composed the
message letter by letter in a frame. The
zipper was updated in 1997 with 227,200 amber-colored LEDs, expected to last up
to 100,000 hours--30 times as long as the bulbs they replaced and using only
about one-tenth the electricity. Dow
Jones currently holds the lease to the operate the sign. Headlines are now auto-published with feeds
from The Wall Street Journal Online, the Associated Press, and
AccuWeather.com. https://www.edn.com/electronics-blogs/edn-moments/4400674/Motograph-News-Bulletin-debuts-in-New-York-City--November-6--1928
On May 6, 1933, President Franklin D. Roosevelt signed
an executive order creating the Works Progress Administration (WPA). The WPA was
just one of many Great Depression relief programs created under the auspices of
the Emergency Relief Appropriations Act, which Roosevelt had signed the month
before. The WPA, the Public Works
Administration (PWA) and other federal assistance programs put unemployed
Americans to work in return for temporary financial assistance. http://www.history.com/this-day-in-history/fdr-creates-the-wpa
The success of Roosevelt’s New Deal programs has been argued about for years. Some say that the government overstepped its bounds and that the United States was dangerously close to becoming a totalitarian government under President Roosevelt. Some argue that unemployment was not erased during the New Deal years and only World War Two was responsible for the end of the Great Depression. What cannot be debated, however, is that the New Deal programs gave hope to millions of citizens who had given up hope. What cannot be debated is that the infrastructure of the United States was rebuilt and modernized and many of the projects were springboards for a future where the U.S. would dominate world affairs. The sheer number of accomplishments is staggering. CCC projects included 3,470 fire towers erected, 97,000 miles of roads built, 3 billion trees planted, 711 state parks created and over 3 million men employed. The PWA funded the construction of over 34,000 projects, including airports, dams, schools and hospitals. The WPA is credited with having constructed 651,087 miles of roadways, repaired 125,110 public buildings and constructed 853 landing fields. From 1933 and the birth of the New Deal to 1939, unemployment dropped from approximately 15 million to 9 million and most of those workers were employed by New Deal programs. https://owlcation.com/humanities/The-Great-Depressions-The-Top-Five-Public-Works-Projects-of-the-New-Deal See also Records of the Work Projects Administration [WPA] at https://www.archives.gov/research/guide-fed-records/groups/069.html
An
"alphabet soup" of federal programs, including REA (Rural Electrification Administration), SSB (Social
Security Board) and PWAP (Public Works of Art Project) were part of the New
Deal. In Ohio, Poindexter Village, the
first Columbus housing project, opened in 1940.
The Ohio History Connection has approved purchase of the two remaining
buildings of Poindexter Village as its 59th historic site. Echoes, January-February 2018
List of characters in the works of Charles
Dickens. https://en.wikipedia.org/wiki/List_of_Dickensian_characters
A.Word.A.Day with Anu Garg
hokum (HO-kuhm) noun
1. Nonsense. 2.
Trite material introduced to evoke an emotional response from an
audience. A blend of hocus-pocus +
bunkum. Earliest documented use: 1917.
Feedback to A.Word.A.Day
From: Ossie Bullock Subject: hokum Through the wonderful (and free access) California Digital Newspaper Collection (part of the National Digital Newspaper Program), I have managed to push the word’s first appearance back nearly a decade. A theater review in the LA Herald of 9 Nov 1908 says of two performers in a new show, “Watson and Williams, who jingle the bells for this spicy aggregation, hand out a high class line of hokum, and some of their merry quips have the surprising quality of newness.”
From: Galen Denio Subject: Hokum Hokum bowing with the fiddle is a style of bluegrass music.
From: Ossie Bullock Subject: hokum Through the wonderful (and free access) California Digital Newspaper Collection (part of the National Digital Newspaper Program), I have managed to push the word’s first appearance back nearly a decade. A theater review in the LA Herald of 9 Nov 1908 says of two performers in a new show, “Watson and Williams, who jingle the bells for this spicy aggregation, hand out a high class line of hokum, and some of their merry quips have the surprising quality of newness.”
From: Galen Denio Subject: Hokum Hokum bowing with the fiddle is a style of bluegrass music.
In the field of psychology, the Dunning–Kruger effect is
a cognitive bias wherein
people of low ability suffer from illusory superiority,
mistakenly assessing their cognitive ability as greater than it is. As described by social psychologists David Dunning and Justin Kruger, the cognitive bias of illusory
superiority results from an internal illusion in people of low ability and from
an external misperception in people of high ability; that is, "the
miscalibration of the incompetent stems from an error about the self, whereas
the miscalibration of the highly competent stems from an error about
others." The psychological phenomenon of illusory superiority was identified as a
form of cognitive bias in Kruger and Dunning's 1999 study "Unskilled and
Unaware of It: How Difficulties in
Recognizing One's Own Incompetence Lead to Inflated
Self-Assessments". The
identification derived from the cognitive bias evident in the criminal case of
McArthur Wheeler, who robbed banks with his face covered with lemon juice, which
he believed would make it invisible to the surveillance cameras. This belief was based on his misunderstanding
of the chemical properties of lemon juice as an invisible ink. https://en.wikipedia.org/wiki/Dunning%E2%80%93Kruger_effect
January
21, 2018 Jack Whitten (1939–2018) Jack Whitten, a conceptual painter who tested
the medium’s limits for more than five decades, has died at seventy-eight. The artist, awarded the National Medal of the
Arts in 2016 for “remaking the American canvas,” was dubbed the father of new
abstraction by the New York Times. Throughout his career, Whitten
eschewed the popular or marketable for what interested him philosophically, and
was largely unrecognized by the mainstream until recent years, following a
major 2014 retrospective at the Museum of Contemporary Art in San Diego,
California. Born in segregated Bessemer,
Alabama, in 1939, Whitten became engaged in activism while he was a student at
Southern University in Baton Rouge, Louisiana, before moving to New York in
1960 to attend Cooper Union. There, influenced by Willem de Kooning and Norman
Lewis, he started making his earliest paintings, vaguely figural impressions
that reflected on the civil rights movement and the war in Vietnam. It was in the 1970s that Whitten became
interested in abstraction, experimenting with forms of painting without
conventionally gestural elements by employing combs, metal sheets, laminations,
rakes, and a twelve-foot-long squeegee to administer acrylic on large canvases.
These pieces, which he called his “Slab”
works, were displayed in the lobby of the Whitney Museum of American Art in
1974 for the artist’s first institutional solo show. Whitten would later
reference ancient mosaics in his art, combining chips of dried acrylic into
monumental portraits of people important to him, like Ralph Ellison and Miles
Davis. “I have changed the verb ‘to
paint,’” Whitten said in a 1994 interview in Bomb. “I don’t paint a painting, I make a painting. So the verb has changed. And in doing that, I’ve broken through a lot
of illusionistic qualities.” https://www.artforum.com/news/id=73715
Ursula K. Le Guin, a prolific novelist best known for
the Earthsea series and The Left Hand of Darkness, died January 21, 2018 at the age of 88. Across more than 20 novels and scores of short
stories, Le Guin crafted fantastic worlds to grapple with profoundly difficult questions
here on Earth, from class divisions to feminist theory. Across
the decades-long span of her career--from her first short story submission at
the age of 11 to her work well into her 80s--Le Guin stood as a towering figure
in science fiction and fantasy. Indeed,
she completed a triple crown of the genres' biggest prizes, earning the Hugo,
Nebula and Locus awards several times over. Colin Dwyer
https://www.npr.org/sections/thetwo-way/2018/01/23/580109007/ursula-le-guin-whose-novels-plucked-truth-from-high-fantasy-dies-at-88 Le Guin published more than 20 novels and 100
short stories, wrote 12 collections of poetry and several of essays, and 13
books for children. Michael
Berry https://www.sfgate.com/books/article/Ursula-K-Le-Guin-inspired-countless-read
Read A Left-Handed Commencement Address (Mills College, 1983) by Ursula Le Guin, ranked one of the top 100 speeches
of the 20th century by researchers at the University of Wisconsin and Texas
A&M University, at http://www.ursulakleguin.com/LeftHandMillsCollege.html
http://librariansmuse.blogspot.com Issue 1832
January 24, 2018 On this date in 1968,
London witnessed a double debut: the
first concert of the London Sinfonietta,
a chamber group which would go on to become one of the Britain’s most famous
new music ensembles and, on their debut program, the premiere performance of a
dramatic cantata by John Tavener,
who would go on to become one of Britain’s most famous contemporary composers. Tavener’s cantata was titled, “The Whale.” In 1997, when the funeral service for Princess
Diana was broadcast worldwide, it was Tavener’s serenely lyrical anthem “Song
for Athene” that was chosen to accompany the Princess’s coffin as it left
Westminster Abbey. Composers Datebook
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