Which letters in the alphabet are used most often? The inventor
of Morse code,
Samuel Morse (1791-1872), needed to know this so that he could give the simplest
codes to the most frequently used letters. He did it simply by counting the number of
letters in sets of printers' type. However, this gives the frequency of letters in
English text, which is dominated by a relatively small number of common words. For word games, it is often the frequency of
letters in English vocabulary, regardless of word frequency, which is of more
interest. An analysis of the letters
occurring in the words listed in the main entries of the Concise
Oxford Dictionary (11th edition revised, 2004) came up with its own
list. Find the lists of Samuel Morse and
the Concise Oxford Dictionary at https://en.oxforddictionaries.com/explore/which-letters-are-used-most See also http://letterfrequency.org/
and https://www.math.cornell.edu/~mec/2003-2004/cryptography/subs/frequencies.html There is general agreement that ETAOIN are
the first six of the most frequently used letters in English.
The English language is
constructed of many different sounds:
vowels, consonants,
long vowels and short vowels. Consonant blends (also called consonant
clusters) are a collection of two or three different consonant sounds that are
each heard when the word is pronounced.
For example, let's look at the word "drink." Both the letters "d" and
"r" are consonants. When the
word "drink" is pronounced, you can clearly hear the sounds of both
of these letters, making it a consonant blend.
When two consonants make a distinct sound it is called a "consonant
digraph." When three consonants are
combined to form a sound it is called a "consonant trigraph." Letters commonly mixed together: bl, cl, fl, gl, pl, sl, br, cr, dr, fr, gr,
pr, tr, sc, sk, sm, sn, sp, st, sw, and
tw. http://examples.yourdictionary.com/examples-of-consonant-blends.html See also https://www.thoughtco.com/consonant-sounds-and-letters-1689914
Dictionary of American Regional English, the
six-volume study of America’s dialects,
affectionately known as dare. There’s
nothing terribly mysterious about the process of writing a dictionary. You figure out what you want to include,
research it, and then write it up. But
there are a lot of ways to do your research.
Several nineteenth-century projects, most notably the English Dialect
Dictionary, managed this by sending surveys through the post and hoping to get
useful answers back. A modern option is
to remain in one’s office and telephone people around the country, the process
used by the Atlas of North American English (which focusses almost entirely on
pronunciation). The other obvious thing
to do is go everywhere in person. In the
late nineteenth century, Edmond Edmont rode by bicycle around France, and
corners of Belgium and Switzerland, conducting seven hundred interviews to
research what became the Atlas Linguistique de la France. When dare began its fieldwork, in 1965, its teams
travelled in “Word Wagons”: campers
outfitted with detailed surveys, recording equipment, and linguistics graduate
students. The wagons travelled to more
than a thousand communities, which were not always ready to welcome
sixteen-hundred-question surveys, massive reel-to-reel tape recorders, or
graduate students. But they persevered,
completing almost three thousand interviews, with a total of 2.3 million
answers that were keyboarded in a prominent early example of the value of
computing in the humanities. Recordings
of the interviews, and of a story called “Arthur the Rat,” which was written to
elicit important pronunciation features, show the variation in speech
sounds. This fieldwork, combined with
extensive original textual research, formed the core of the dictionary, which
was ultimately published from 1985 to 2013.
Jesse Sheidlower
Read more at https://www.newyorker.com/culture/cultural-comment/the-closing-of-a-great-american-dialect-project
The Mohs scale of mineral hardness was created by German
mineralogist, Friedrich Mohs in 1822 to measure the
relative hardness or scratch resistanceof various
minerals. He based it on ten readily
available minerals. As it is an ordinal
scale, two minerals must be compared
to decide which is harder. The scale is
neither linear nor logarithmic. For
example, corundum is twice as hard as topaz, but diamond is almost four times as
hard as corundum.
The hardness of a material is measured
against the scale by finding the hardest material that the given material can
scratch, or the softest material that can scratch the given material. Find the
Mohs scale ratings for 144 types of
gemstones: at https://www.gemselect.com/gem-info/gem-hardness-info.php
"I
would remind you that extremism in the defense of liberty is no vice! And let me
remind you also that moderation in the
pursuit of justice is no virtue!"
Barry Goldwater's 1964 speech at the 28th Republican National
Convention, accepting the nomination for president. "Well, you can thank your
pistol of a young lawyer here for bringing me around. She reminded me that there's no virtue in absolutism." Reverend
Dale, a fictional character in the series Designated Survivor,
"Outbreak," season two, episode three
Reader
question: Was the Robert Lucas who became the
first gov of Iowa Terr the person for whom Lucas County was named? Answer:
Yes. Robert Lucas was born in
Shepherdstown, Virginia (modern-day West Virginia), on April 1, 1781. When he was nineteen years old, he moved with
his family to the Northwest Territory and settled near Portsmouth. Three years later he worked as a surveyor,
determining the boundary between Scioto and Adams Counties. Lucas also joined the state militia, rising
in the ranks to brigadier general by the time of the War of 1812. He briefly served under Major General Duncan
McArthur before joining General William Hull's campaign against Canada. He also held a rank of captain in the regular
army for a short time but resigned from that position in early 1813 to devote
his time to his militia duties. Lucas
saw no additional combat during the war, although after the war he was promoted
to major general and made commander of the Second Militia Division. In addition to his military service, Lucas
also became involved in state politics. Prior
to the War of 1812, he had served one term in the Ohio House of
Representatives. In 1814, he was elected to the Ohio Senate for the first time.
He served as a state senator for several
terms (1814-1822, 1824-1828, and 1829-1830) before returning to the lower house
for a term in 1831-1832. During the
1820s, Lucas became a supporter of Andrew Jackson and joined the Democratic
Party. His political and military
reputation made him a widely respected figure in the state, and he even served
as the first president of the Democratic National Convention. By 1830, Lucas had become interested in the
governorship. He ran unsuccessfully
against Duncan McArthur in 1830, losing the election by fewer than five hundred
votes. In 1832, he was more successful, winning
against Darius Lyman. In 1834, he was
reelected as governor over Whig Party candidate James Findlay. Much of his tenure as governor was relatively
uneventful, but he did hold office during the dispute known as the "Toledo
War". Both Ohio and the Michigan Territory claimed a small strip of land
along the northern border of Ohio, no more than eight miles wide. This area was very important to Ohio because
it included the community of Toledo, a port on Lake Erie that was expected to
become a part of the state's canal system. In his position as governor, Lucas called out
the state militia and personally led them to defend Ohio's border with
Michigan. In the end war did not take
place, as President Andrew Jackson intervened. The United States Congress eventually decided
that the land belonged to Ohio and compensated Michigan by giving it additional
land in the Upper Peninsula. In 1838,
President Martin Van Buren named Lucas the governor of the new Iowa Territory. He held this position until 1841, when Whig President William Henry Harrison
chose to replace him with someone from his own political party. Lucas briefly returned to Ohio and ran for
Congress in 1843, but after his defeat, he returned to his new home in Iowa
City, Iowa. He was a member of Iowa's
state constitutional convention in 1844, but after that point, he no longer
actively served in politics. http://www.ohiohistorycentral.org/w/Robert_Lucas
For those of you blocked when you clicked on the recipe for Dutch Baby
Pancakes from The New York Times, go to your favorite search engine and type in
Dutch Baby Pancake--you will find many recipes including the NYT one.
Lawrence Argent, the acclaimed sculptor who created
the 40-foot-high “big blue bear” sculpture that has become an artistic icon for
the Mile High City, died on October 4, 2017.
Argent was born Jan. 24, 1957, in Essex, England, and grew up in
Australia, later attending the Royal Melbourne Institute of Technology. He received a master’s degree in fine arts
from the Rinehart School of Sculpture in Baltimore in 1986, according to a
biography on his
website. http://www.lawrenceargent.com/bio/ He joined the staff at the University of
Denver in 1993 and, through his work, helped bring global awareness to Denver’s
contemporary art scene—which in turn helped land high-profile exhibits and
residents such as the Clyfford Still Museum.
But his biggest contribution—literally and figuratively—remains the big
blue bear, which has been seen by countless people since it joined one of
Denver’s busiest tourism and convention thoroughfares 12 years ago. I See What You Mean” depicts a geometrically
rendered—and originally 3D-printed—blue bear peering into the east-facing
windows of the Colorado Convention Center. It was installed in 2005 and has since become
a marketing mainstay and popular item of merchandise for Denver Arts &
Venues, which plays on its tourist-friendly reputation. The $425,000 sculpture was part of more than
$2.4 million for nine pieces of art commissioned for the convention center
under the city’s 1-percent-of-art ordinance.
John Wenzel http://theknow.denverpost.com/2017/10/06/lawrence-argent-big-blue-bear-sculptor-dies-2017/161342/
http://librariansmuse.blogspot.com Issue
1784 October 16, 2017 Of all
the orchestral works of Richard Strauss, the one that premiered in Dresden on
today's date in 1925 ranks amount the least-known. For starters, it has an odd title,
"Parergon to the Symphonia Domestica." "Parergon" means "an ornamental
accessory or embellishment," and so Strauss meant his new work, written
for piano left-hand and orchestra, was a follow-up to his earlier
"Symphonia Domestica," a tone-poem written two decades years earlier,
and a musical depiction of one day in the Strauss family household, complete
with baby's bath. For Paul
Wittgenstein, the wealthy one-handed concert pianist who commissioned it, the
new work was one of several he had requested from leading composers of his day,
all designed as a public showcase for his talent. Composers Datebook
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