An arm and a leg means a large, possibly
exorbitant, amount of money. The tale is
that portrait painters used to charge more for larger paintings and that a head
and shoulders painting was the cheapest option, followed in price by one which
included arms and finally the top of the range 'legs and all' portrait. As so often with popular etymologies, there's
no truth in that story. Painters
certainly did charge more for large pictures, but there's no evidence to
suggest they did so by limb count. It is
in fact an American phrase, coined sometime after WWII. The earliest citation I can find is from The
Long Beach Independent, December 1949:
Food Editor Beulah Karney has more than 10 ideas for the homemaker who
wants to say "Merry Christmas" and not have it cost her an arm and a
leg. 'Arm' and 'leg' are used as
examples of items that no one would consider selling other than at an enormous
price. It is a grim reality that, around
that time, there were many US newspaper reports of servicemen who had lost an
arm and a leg in the recent war. It is
possible that the phrase originated in reference to the high cost paid by those
who suffered such amputations. A more
likely explanation is that the expression derived from two earlier phrases: 'I would give my right arm for...' and '[Even]
if it takes a leg', which were both coined in the 19th century. http://www.phrases.org.uk/meanings/arm-and-a-leg.html
Playing-cards
were seen by the Kings and Queens of England as a ready source of revenue,
particularly when there were wars to be paid for. So the makers, and later the purchasers, paid
a tax on each pack. Instances are
recorded of taxes being raised in 1588, 1628, during Queen Anne's reign, and from
1711 onwards, until the tax was finally abolished in 1960 since by then it was
more trouble to collect than it was worth.
http://i-p-c-s.org/faq/ace-of-spades.php
Boogie-woogie A style of blues music, with close links to
jazz forms like ragtime and stride, usually played on the piano. The origin of the term 'boogie-woogie' is
uncertain. The most likely explanation
is that it is a reduplication of 'boogie', which was the name given to a rent
party in early 20th century USA. These
parties were impromptu affairs, set up (pitched) to raise money to pay rent, at
which a small entrance fee was charged. Brian Rust, in his exhaustive directory of
recorded jazz music - 'Jazz Records 1897-1942', records this line from from a
1929 piece: "We're gonna pitch a boogie right here." The term boogie-woogie is
first recorded in print as the title of Clarence 'Pinetop' Smith's 1928
recording, Pinetop's Boogie Woogie, which includes these lyrics:
I want all of you to know Pinetop's Boogie Woogie
I want everybody to dance just like I say
And when I say 'hold it there' I want all of you ... to stop
And when I say stop - don't move And when I say git it
I want all of you to do a boogie-woogie http://www.phrases.org.uk/meanings/boogie-woogie.html
And when I say 'hold it there' I want all of you ... to stop
And when I say stop - don't move And when I say git it
I want all of you to do a boogie-woogie http://www.phrases.org.uk/meanings/boogie-woogie.html
The repeating of parts of words to make new forms is called reduplication. There are various categories of this: rhyming, exact and ablaut (vowel
substitution). Examples, are
respectively, okey-dokey, wee-wee and zig-zag. The impetus for the coining of these seems to
be nothing more than the enjoyment of wordplay.
Willy-nilly is over a thousand years old. Riff-raff dates from the 1400s and
helter-skelter, arsy-versy (a form of vice-versa), and hocus-pocus all date
from the 16th century. http://www.phrases.org.uk/meanings/reduplication.html
One
of the great cultural jewels of the West is back,
with a wonderful new polish. When the
Huntington Library in San Marino reopened its main exhibition hall on Nov. 8,
2013 for a special press preview after a 17-month renovation, you could almost
feel the presence of its namesake at the
front door. Henry Edwards Huntington was
a railroad baron who assembled one of the most magnificent collections of
books, manuscripts and letters in private hands. Entering the old hall (built in 1920), one
turns to the left and encounters one of the oldest books in the collection, a
manuscript of Geoffrey Chaucer’s “Canterbury Tales” (written circa 1400). Huntington bought it
from the Earl of Ellesmere in 1917, and it’s the source of most editions of the
“Canterbury Tales” available today. A
few paces away there’s a Gutenberg Bible, and a first edition of John Milton’s
1667 poem “Paradise Lost.” On the other
side of the 3,400-square-foot room, largely unnoticed during the preview, rests
a First Folio edition of Shakespeare’s collected plays, opened to the title
page, with its iconic engraving of the bald bard of Stratford himself. Near the back of the room there are Henry
David Thoreau’s scribbles on the galleys of “Walden.” Huntington died in 1927, but thanks to a big
endowment his library has kept on collecting books, photographs and posters and
other ephemera. Not long ago, for
example, it obtained the papers of the novelist Octavia Butler. For two years, as they planned the main
exhibition hall’s renovation, the Huntington Library staff faced a unique
problem. As Karina White, the designer
of the new exhibit put it: “How do we
choose from 9 million objects?” Working
with the Huntington’s curators, White designed the new exhibit around 12 “key
objects.” In addition to the
aforementioned works of Shakespeare, Milton and others, there is a map of
Tenochtitlan that the conquistador Hernan Cortes had made after he destroyed
that Aztec city; letters by Abraham Lincoln and Susan B. Anthony; and the
manuscript of a Jack London novel that met a strange fate. Hector
Tobar http://www.latimes.com/books/jacketcopy/la-et-jc-a-first-glance-at-the-new-look-at-the-huntington-library-20131108,0,1050640.story#axzz2kAZacqnS
The greatest spiritual practice is to transform love into service.
You must
pass your days in song. Let your whole
life be a song.
Love one
another and help others to rise to the higher levels, simply by pouring out
love. Love is infectious and the
greatest healing energy.
Life is a song -
sing it. Life is a game - play it. Life is a challenge - meet it. Life is a dream - realize it. Life is a sacrifice - offer it. Life is love - enjoy it.
Sathya Sai Baba (1926-2011) Indian spiritual leader, philanthropist and educator http://www.vivaquotes.com/quotes/by/sai-baba?feature=qshow_rel_authors
Sathya Sai Baba (1926-2011) Indian spiritual leader, philanthropist and educator http://www.vivaquotes.com/quotes/by/sai-baba?feature=qshow_rel_authors
in memory of the "Commander"
Maya Lin, Vietnam Memorial by Marla Hochman
Concern for the planet has always been a part of Maya Lin's
life and is clearly reflected in her work as a designer, architect, and
sculptor. Growing up in southeastern
Ohio, Lin was greatly affected by the rolling hills and serpent burial mounds
of the Hopewell and Adena Indians. Respect for the land and its safety and
protection has provided an impetus for herto create works that compel people to
become more aware of their surroundings. Often her work is both aesthetic and
political, and seeks to extend beyond present time to reach future generations.
Through words and images, Lin
communicates our thoughts and ideas to those who have yet to inhabit the land. As an undergraduate student at Yale, Maya Lin
entered and won a competition to design a memorial for the veterans of the
Vietnam War. Almost immediately, controversy
engulfed the decision to choose her entry. In addition to personal attacks regarding
Lin's Asian heritage, her design sparked anger among many veterans. Lin proposed to cut a wedge in the land and to
place within it two long, horizontal, perpendicular granite walls that appear
to grow out of earth. The two walls
converge at their highest points, and inscribed on their surfaces in
chronological order are the names of nearly 60,000 men and women who lost their
lives during the conflict in Vietnam. One
end of the Memorial points to the Washington Monument, while the other aligns
itself with the Lincoln Memorial. The
violent act of cutting open the earth and the healing process that would
eventually occur parallel the violence of war and the healing that would await
visitors to the Memorial. In time the
wound would heal, yet the cut would remain, symbolized by the large, flat
surface of the wall. See image at http://www.greenmuseum.org/c/aen/Issues/lin.php
November
11: Armistice
Day in Belgium, France, New Zealand and Serbia; Remembrance
Day in the Commonwealth; Independence Day in Angola (1975) and Poland (1918); Veterans Day in the United
States http://en.wikipedia.org/wiki/November_11
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