Wednesday, February 13, 2013


Eleven of the most beautiful museum libraries in the world  Thanks, Paul 

What does conchiglie mean?  Seashell-shaped pasta   See list of pastas, names, descriptions and pictures at:  http://en.wikipedia.org/wiki/List_of_pasta

British Royal Family:  the Plantagenets  See history of King Richard III (1452-1485) and link to all Plantagenets from the menu at the center top.  There are five Edwards, four Henrys and two Richards.  http://www.britroyals.com/plantagenet.asp?id=richard3 
King Richard I (1157-1199) was called Richard the Lion Heart and you can go to his page, then link to the entire British royal line at:  http://www.britroyals.com/kings.asp?id=richard1 
From either of these Web pages, you can link to frequently asked questions about the British royal family.   

Exalted by a suite of fifteen classical pieces by Russian composer, (Modest) Petrovich Mussorgsky, the Great Gate of Kiev, is not actually a gate but a design submitted by artist Victor Hartmann to commemorate the attempted assassination of Tsar Alexander II in the city of Kiev in 1866.  Hartmann's majestic design for The Great Gate of Kiev caused a sensation, and the artist believed it was the finest work he had ever done.  The sketch for stone gates to replace the wooden gates of Kiev incorporated a cupola in the form of a Slavonic helmet.  In the design, the archway rested on granite pillars and its peak was to be decorated with a huge headpiece of Russian carved designs including the Russian state eagle.  To commemorate what was referred to by the Tsar as "the event of April 4, 1866", a design competition commenced.  Though proposals poured in including a drawing by Hartmann, Russian authorities scrapped the effort and while the Tsar may have been relieved to dodge assassination, explicit acknowledgement of the event may have led to the cancellation of the competition.  Hartmann's early death at the age of thirty-nine devastated Mussorgsky, a close personal friend.  Distraught by his friend's passing, Mussorgsky agreed to become involved in a commemorative art exhibition of over 400 paintings by his friend.  The exhibition inspired Mussorgsky to complete a classical piano suite, Pictures at an Exhibition, representing pieces of Hartmann's artwork.  Mussorgsky's homage to his friend was universally ignored until Ravel arranged the work to be played by a symphonic orchestra.  Pictures in an Exhibition has since been orchestrated by at least ten different composers.   

Victor Hartmann was a painter, architect and designer whose paintings went back to traditional Russian legends and folktales.  As an architect, he rejected the neo-classical Roman styles that were becoming fashionable, and designed buildings based on medieval and traditional styles.  In 1873 Hartmann died suddenly at the age of 39.  Vladimir Stassov, an art critic and mutual friend, organised a posthumous exhibition of Hartmann's paintings, sketches and designs, over 400 in total.  Modest Mussorgsky's Pictures at an Exhibition is a musical representation of wandering through an art gallery.  Few of Hartmann's original paintings survive, but the few that do may be seen at:  http://www.good-music-guide.com/reviews/057_mussorgsky_pictures.htm   

Any list of the leading novelists of the 19th century, writing in English, would almost surely include Charles Dickens, Thomas Hardy, Herman Melville, Nathaniel Hawthorne and Mark Twain.  But they do not appear at the top of a list of the most influential writers of their time.  Instead, a recent study has found, Jane Austen, author of “Pride and Prejudice, “ and Sir Walter Scott, the creator of “Ivanhoe,” had the greatest effect on other authors, in terms of writing style and themes.  These two were “the literary equivalent of Homo erectus, or, if you prefer, Adam and Eve,” Matthew L. Jockers wrote in research published last year.  He based his conclusion on an analysis of 3,592 works published from 1780 to 1900.  It was a lot of digging, and a computer did it.  The study, which involved statistical parsing and aggregation of thousands of novels, made other striking observations.  For example, Austen’s works cluster tightly together in style and theme, while those of George Eliot (a k a Mary Ann Evans) range more broadly, and more closely resemble the patterns of male writers.  Using similar criteria, Harriet Beecher Stowe was 20 years ahead of her time, said Mr. Jockers, whose research will soon be published in a book, “Macroanalysis: Digital Methods and Literary History” (University of Illinois Press).  These findings are hardly the last word.  At this stage, this kind of digital analysis is mostly an intriguing sign that Big Data technology is steadily pushing beyond the Internet industry and scientific research into seemingly foreign fields like the social sciences and the humanities.  The new tools of discovery provide a fresh look at culture, much as the microscope gave us a closer look at the subtleties of life and the telescope opened the way to faraway galaxies.   Steve Lohr  http://www.nytimes.com/2013/01/27/technology/literary-history-seen-through-big-datas-lens.html?pagewanted=all&_r=0

"The presidents of the twelve Federal Reserve Banks have submitted a joint letter responding to the Financial Stability Oversight Council's proposal on money market mutual fund (MMF) reform.  The presidents support the Council's efforts to address the structural vulnerabilities of MMFs.  They also agree with the Council's determination that MMFs' activities and practices could create or increase the risk of liquidity and credit problems spreading through the financial system."  See Feb. 12, 2013 letter on Financial Stability Oversight Council’s Proposed Recommendations Regarding Money Market Mutual Fund Reform (the “Proposal”), FSOC–2012–0003, 77 FR 69455, November 19, 2012.  http://www.bostonfed.org/news/press/2013/pr021213-letter.pdf

Mardi Gras  ("Fat Tuesday") is an annual Carnival celebration held in Mobile, Alabama and New Orleans, Louisiana.  The celebration of Mardi Gras was brought to Louisiana by early French settlers.  The first record of the holiday being celebrated in Louisiana was at the mouth of the Mississippi River in what is now lower Plaquemines Parish, Louisiana, on March 3, 1699.   The traditional colors of Mardi Gras are purple (justice), green (faith) and gold (power).   These colors are said to have been chosen by Grand Duke Alexis Alexandrovitch Romanoff of Russia during a visit to New Orleans in 1872.  Inexpensive strings of beads and toys have been thrown from floats to parade-goers since at least the late 19th century.  Until the 1960s, the most common form was multi-colored strings of glass beads made in Czechoslovakia.  These were supplanted by less expensive and more durable plastic beads, first from Hong Kong, then from Taiwan, and more recently from China.  Lower-cost beads and toys allow riders to purchase greater quantities and throws have become more numerous and common.  In the 1990s, many people lost interest in small, cheap beads, often leaving them where they landed on the ground.  Larger, more elaborate metallic beads and strands with figures of animals, people, or other objects have become the sought-after throws.  In a retro-inspired twist, glass beads have returned to parades.  Now made in India, glass beads are one of the most valuable throws.  Celebrations begin early on Mardi Gras Day, which can fall on any Tuesday between February 3 and March 9 (depending on the date of Easter).  Monday is known as Lundi Gras ("Fat Monday").  http://en.wikipedia.org/wiki/New_Orleans_Mardi_Gras

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