vice versa
The reverse of the previous statement, with the main items transposed. Vice versa originates as Latin, with the literal translation being 'the other way round' or 'the position being reversed', but is now fully absorbed into English. The phrase is usually used to imply the complement of a statement without expressing as much in words. For example: "Fish can't live where we are most comfortable, and vice versa". It is often misspelt as visa versa.
http://www.phrases.org.uk/meanings/vice-versa.html

KUMATO® is a registered trademark of the SYNGENTA Group designating fresh tomatoes. Only SYNGENTA and its authorized resellers and licensees may use the KUMATO® trademark in advertising, promotional, and sales materials. The brand KUMATO® designates tomato fruits grown from hybrid tomato plants varieties SX387 and/or OLMECA that are protected by Community Plant Variety Rights. http://www.kumato.com/en/all-rights-reserved.aspx


A system for the protection of plant variety rights has been established by European Community legislation. The system allows intellectual property rights, valid throughout the Community, to be granted for plant varieties. The Community plant variety right (CPVR) is a form of intellectual property akin to a patent.
The system is based on the four underlying Regulations:
Council Regulation (EC) No 2100/94 of 27 July 1994 on Community plant variety rights
Commission Regulation (EC)N° 874/2009 of 17 September 2009 establishing implementing rules for the application of Council Regulation (EC) No 2100/94 as regards proceedings before the Community Plant Variety Office;
Commission Regulation (EC) No 1238/95 of 31 May 1995 establishing implementing rules for the application of Council Regulation (EC) No 2100/94 as regards the fees payable to the Community Plant Variety Office, as last amended by Commission Regulation (EC) N° 572/2008 of 19 June 2008, as regards the level of the annual fee and the fees relating to technical examination, payable to the Community Plant Variety Office, and the manner of payment.
Commission Regulation (EC) No 1768/95 of 24 July 1995 implementing rules on the agricultural exemption provided for in Article 14 (3) of Council Regulation (EC) No 2100/94 on Community plant variety rights, as last amended by Commission Regulation (EC) N° 2605/98 of 3 December 1998 . http://ec.europa.eu/food/plant/propertyrights/index_en.htm

In the U.S. and Canada, Kumato tomatoes are distributed by Mastronardi Produce, which has the Sunset line of tomatoes. Mastronadri is growing these in huge greenhouses in Ontario. It is unclear if distribution is regional or national. A California company, Dulcinea, is also selling a black tomato that it calls "Rosso Bruno," and this may be the same tomato. Syngentia is only releasing the seed to commercial growers as happened with the "Santa" "Grape Tomato" previously.
http://depthofprocessing.blogspot.com/2009/07/kumato-brand-tomatoes-from.html

Tips for creating a secure password: Don't use anything easily guessed, such as a pet's name. Come up with a core password and modify by adding different prefixes or suffixes. Then test the strength of your password at: http://www.passwordmeter.com/ I put in a password I use and got a rating of 50%, good. When I changed the numerals to symbols, the same keys produced 64%, strong. A table of additions and deductions shows how the percentage is calculated. For instance, consecutive letters or numerals cause a deduction.
The Week magazine March 11, 2011

Rembrandt Harmenszoon van Rijn (1606-1669) was a Dutch painter and etcher. He is generally considered one of the greatest painters and printmakers in European art history and the most important in Dutch history. His contributions to art came in a period that historians call the Dutch Golden Age. "Rembrandt" is a modification of the spelling of the artist's first name that he introduced in 1633. Roughly speaking, his earliest signatures (ca. 1625) consisted of an initial "R", or the monogram "RH" (for Rembrant Harmenszoon; i.e. "Rembrant, the son of Harmen"), and starting in 1629, "RHL" (the "L" stood, presumably, for Leiden). In 1632, he used this monogram early in the year, then added his patronymic to it, "RHL-van Rijn", but replaced this form in that same year and began using his first name alone with its original spelling, "Rembrant". In 1633 he added a "d", and maintained this form consistently from then on, proving that this minor change had a meaning for him (whatever it might have been). In 1968 the Rembrandt Research Project was started under the sponsorship of the Netherlands Organization for the Advancement of Scientific Research; it was initially expected to last a highly optimistic ten years. Art historians teamed up with experts from other fields to reassess the authenticity of works attributed to Rembrandt, using all methods available, including state-of-the-art technical diagnostics, and to compile a complete new catalogue raisonné of his paintings. As a result of their findings, many paintings that were previously attributed to Rembrandt have been removed from their list, although others have been added back. Many of those removed are now thought to be the work of his students. One example of activity is The Polish Rider, in New York's Frick Collection. Its authenticity had been questioned years before by several scholars, led by Julius Held. Many, including Dr. Josua Bruyn of the Foundation Rembrandt Research Project, attributed the painting to one of Rembrandt's closest and most talented pupils, Willem Drost, about whom little is known. The Frick itself never changed its own attribution, the label still reading "Rembrandt" and not "attributed to" or "school of". More recent opinion has shifted in favor of the Frick, with Simon Schama in his 1999 book Rembrandt's Eyes, and a Rembrandt Project scholar, Ernst van de Wetering (Melbourne Symposium, 1997) both arguing for attribution to the master. Many scholars feel that the execution is uneven, and favour different attributions for different parts of the work. Another painting, Pilate Washing His Hands, is also of questionable attribution. Critical opinion of this picture has varied since 1905, when Wilhelm von Bode described it as "a somewhat abnormal work" by Rembrandt. Scholars have since dated the painting to the 1660s and assigned it to an anonymous pupil, possibly Arent de Gelder. The composition bears superficial resemblance to mature works by Rembrandt but lacks the master's command of illumination and modeling. The attribution and re-attribution work is ongoing. In 2005 four oil paintings previously attributed to Rembrandt's students were reclassified as the work of Rembrandt himself: Study of an Old Man in Profile and Study of an Old Man with a Beard from a US private collection, Study of a Weeping Woman, owned by the Detroit Institute of Arts, and Portrait of an Elderly Woman in a White Bonnet, painted in 1640. http://en.wikipedia.org/wiki/Rembrandt