From: Steve Benko Subject: Hannah Senesh thought for the day There are stars whose radiance is visible on Earth though they have long been extinct. There are people whose brilliance continues to light the world though they are no longer among the living. These lights are particularly bright when the night is dark. They light the way for humankind. - Hannah Senesh, poet, playwright, and paratrooper (17 Jul 1921-1944) Here’s part of a poem by Hannah Senesh set to music and performed by my daughter Julie: video (1 min.)
From: Alex McCrae Subject: blood-and-guts, chopped liver Warhorse US General George Patton was quoted as saying to his WWII officers-in-training, “You’re going to be up to your necks in blood and guts.” From that point on, the Patton moniker, “Old Blood-and-Guts” stuck. A common GI saying regarding Patton was, “Our blood, his guts.” So many common food-words and phrases have entered our lexicon. Cases in point: red herring, cake walk, knuckle sandwich, Hot dog! (as an exclamation) . . . the phrases “That takes the cake”, “Easy as pie”, “Good egg”. Our use of “chopped liver” could also be included in that list.
From: Ben Truwe Subject: chopped liver
Chopped liver was sometimes formed into a centerpiece sculpture, surrounded by
crackers. One appears in the film Goodbye Columbus. AWADmail Issue 1099
Since its publication in 1667, readers have often used Paradise Lost to think critically about patriarchy. Mary Shelley took the epigraph of Frankenstein from Milton, and one of the three books that her monster reads is Paradise Lost. Virginia Woolf called Paradise Lost the “essence of which almost all other poetry is the dilution,” but in A Room with a View, the hyper-learned Milton is an inhibiting figure, someone women are not permitted to rival. Barbieland, like Eden, is sumptuous, sweet, and sufficient in every sense. Milton’s Paradise is a place of never-cloying sweetness. He doesn’t use the word “pink” (first used to describe the color in 1669), but the word “rose” appears 32 times, and the poetry is saturated with luxurious description. Near the beginning of the film, Ken injures himself trying to run into the sea. When Barbie comforts him, Ken wilts into the nape of her neck. This gesture is meant to look pathetic, and Ryan Gosling plays it cartoonishly, but something about it was strangely moving. In her 2002 book Hollywood Flatlands, Esther Leslie describes how Walter Benjamin and Theodor Adorno found something redemptive in Hollywood cartoons. It seems a mistake not to allow ourselves to enjoy something because we disagree with its message. The capacity to take the world as it is given to us and make something radically new out of it is an early meaning of the word “plastic,” which emerged in the English language in the 17th century. Orlando Reade https://lithub.com/greta-gerwigs-paradise-lost/#:~:text=I%20think%20this%20is%20why,is%20not%20cause%20for%20contempt.
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