Friday, April 13, 2018


The Woozle effect, also known as evidence by citation, or a woozle, occurs when frequent citation of previous publications that lack evidence misleads individuals, groups, and the public into thinking or believing there is evidence, and nonfacts become urban myths and factoids.   A Woozle is an imaginary character in the A. A. Milne book Winnie-the-Pooh, published in 1926.  In chapter three, "In which Pooh and Piglet Go Hunting and Nearly Catch a Woozle", Winnie-the-Pooh and Piglet start following tracks left in snow believing they are the tracks of a Woozle.  The tracks keep multiplying until Christopher Robin explains to them that they have been following their own tracks in circles around a tree.  Prior to the introduction of the specific term "Woozle effect", the underlying research phenomenon (and connection to the Woozle) dates back over 60 years.  Bevan (1953), writing about scientific methodology and research errors in the field of psychology, uses the term "scientific woozle hunters".  Wohlwill (1963) refers to a "hunt for the woozle" in social science research, and Stevens (1971) cautions readers about woozles in the study of a misquoted letter.  According to Richard J. Gelles, the term "woozle effect" was coined by Beverly Houghton in 1979.  Other researchers have attributed the term to Gelles (1980) and Gelles and Murray A. Straus (1988).  Gelles and Straus argue that the woozle effect describes a pattern of bias seen within social sciences and which is identified as leading to multiple errors in individual and public perception, academia, policy making and government.  A woozle is also a claim made about research which is not supported by original findings.  The creation of woozles is often linked to the changing of language from qualified ("it may", "it might", "it could") to absolute form ("it is") firming up language and introducing ideas and views not held by an original author or supported by evidence. 

The Birth of Brunch:  Where Did This Meal Come From Anyway? by Jesse Rhodes  As is the case with many culinary traditions, the origins are a bit hazy.  Some food historians think that the meal has its roots in England’s hunt breakfasts—lavish multi-course meals that featured a smorgasbord of goodies such as chicken livers, eggs, meats, bacon, fresh fruit and sweets.  Others posit that Sunday brunch derives from the practice of Catholics fasting before mass and then sitting down for a large midday meal.  And then there are those who look to New York’s abundance of dining spots when it comes to tracing the origins of classic brunch dishes from eggs Benedict to bagels and lox.  What does seem certain is that the word “brunch”—that playful blend of “breakfast” and “lunch”—first appeared in print in an 1895 Hunter’s Weekly article.  In “Brunch:  A Plea,” British author Guy Beringer suggested an alternative to the heavy, post-church Sunday meals in favor of lighter fare served late in the morning.  ″Brunch is cheerful, sociable and inciting,″ Beringer says. ″  It is talk-compelling.  It puts you in a good temper, it makes you satisfied with yourself and your fellow beings, it sweeps away the worries and cobwebs of the week.″  But wherever the initial spark of genius came from, the tradition definitely seems to have caught on in the United States in the 1930s, supposedly because Hollywood stars making transcontinental train trips frequently stopped off in Chicago to enjoy a late morning meal.  It was a meal championed by hotels since most restaurants were closed on Sundays and, with church attendance flagging after World War II, people were looking for a new social outlet that also let them sleep in a bit.  Restaurants soon hopped on the bandwagon and began offering the decadent spreads of food and signature morning cocktails, such as Bloody Marys, Bellinis and Mimosas.  https://www.smithsonianmag.com/arts-culture/the-birth-of-brunch-where-did-this-meal-come-from-anyway-164187758/  See also  https://www.vappingo.com/word-blog/86-great-examples-of-portmanteau/

A sachet is a small, usually decorative, bag filled with aromatic ingredients.  Good things to stuff your sachet with include:  Lavender buds (dried), wood shavings (cedar is great),soap shavings (perfect for tossing in the washing, while a lavender stuffed one is perfect for the dryer!), potpourri, scent impregnated stuffing material (probably needs new scent after a time), dried herbs, and spices (make sure the fabric does not allow for the spices to leak through).  A combination of lavender and dried hops makes a good nighttime pillow to improve sleep.  https://www.wikihow.com/Make-Sachets  See also How To Make A Gifty Flower Sachet by Kitty and Jennifer O'Neil at http://runningwithsisters.com/how-to-make-a-scented-flower-sachet/

By George! is a mild oath or exclamation that had its beginnings in the late 1500s.  The word “George” here is a substitute for “God,” as are words like “golly,” “ginger,” “gosh,” “gum,” and so on in other similar euphemistic oaths.  In case you’d like to read more, we’ve had several items on the blog about such euphemisms, including a posting a few years back about “gol dang it,” “gosh darn it,” “dag nab it,” and others.  And, as we’ve written on the blog, you can add “For Pete’s sake!” to the list.)  You didn’t ask, but some readers may wonder who the Scott is in “Great Scott!”  This interjection, too, is a believed to be  euphemistic, the OED says, a mild form of “Great God!” that originated in mid-19th-century America.  But in this case, the “Scott” was probably real.  Evidence suggests, the OED says, that the name inserted into the oath was that of a revered American general, Winfield Scott.  As Oxford explains:  “Winfield Scott, Commanding General of the United States Army (1841-61) and Whig party presidential candidate (1852), was a popular national figure in the United States in the mid 19th cent., celebrated as a hero for his role in the Mexican-American War (1846-8).”  The first example of “Great Scott!” cited in the OED dates from an American journal published in 1856.  But this 1871 example, from John William de Forest’s novel  Overland, clearly shows the connection with General Scott:  “ ‘Great—Scott!’ he gasped in his stupefaction, using the name of the then commander-in-chief for an oath, as officers sometimes did in those days.”  Patricia T. O'Conner and Stewart Kellerman  https://www.grammarphobia.com/blog/2012/01/by-george.html

Read five-page The Lottery at http://fullreads.com/literature/the-lottery/

When Shirley Jackson’s story “The Lottery” was first published, in the June 26, 1948, issue of The New Yorker magazine, many readers accepted “The Lottery” as truthful is less astonishing than it now seems, since at the time The New Yorker did not designate its stories as fact or fiction, and the “casuals,” or humorous essays, were generally understood as falling somewhere in between.  In a lecture Jackson often gave about the story’s creation and its aftermath, which was published posthumously under the title “Biography of a Story,” she said that of all the letters that came in that summer—they eventually numbered more than three hundred, by her count—only thirteen were kind, “and they were mostly from friends.”  The rest, she wrote with mordant humor, were dominated by three main themes:  “bewilderment, speculation, and plain old-fashioned abuse.”  Readers wanted to know where such lotteries were held, and whether they could go and watch; they threatened to cancel their New Yorker subscriptions; they declared the story a piece of trash.  If the letters “could be considered to give any accurate cross section of the reading public … I would stop writing now,” she concluded.  More than a hundred of these letters, which she kept in a giant scrapbook, are now in her archive at the Library of Congress.  There were indeed some cancelled subscriptions, as well as a fair share of name-calling—Jackson was said to be “perverted” and “gratuitously disagreeable,” with “incredibly bad taste.”  But the vast majority of the letter writers were not angry or abusive but simply confused.  “The Lottery” has been adapted for stage, television, opera, and ballet; it was even featured in an episode of “The Simpsons.”  By now it is so familiar that it is hard to remember how shocking it originally seemed:  “outrageous,” “gruesome,” or just “utterly pointless,” in the words of some of the readers who were moved to write.  Ruth Franklin  https://www.newyorker.com/books/page-turner/the-lottery-letters 

11 Things You Probably Didn't Know About Shirley Jackson by Ruth Franklin  Ruth Franklin's Shirley Jackson: A Rather Haunted Life is a biography of the American author, taking readers inside the personal life of the enigmatic Jackson.  Franklin picks some of her favorite Jackson details.  If you went to high school in the United States in the 1950s or later, you probably read Shirley Jackson’s “The Lottery,” one of the most anthologized short stories in American fiction.  Perhaps you’ve also read her spooky novel The Haunting of Hill House (or seen one of the two films made of it) or the mysterious We Have Always Lived in the Castle.  Read other details at https://www.publishersweekly.com/pw/by-topic/industry-news/tip-sheet/article/71549-11-things-you-probably-didn-t-know-about-shirley-jackson.html

http://librariansmuse.blogspot.com  Issue 1874  April 13, 2018  In 1952, the West Point Military Band celebrated that famous military academy’s Sesquicentennial by asking prominent composers to write celebratory works to mark the occasion.  Among those who responded with a new piece was the American composer Morton Gould, whose “West Point Symphony” received its premiere performance on today’s date in 1952, at a gala concert featuring the West Point Academy Band conducted by Francis E. Resta.  Of all the pieces written in honor of West Point’s Sesquicentennial in 1952, Gould’s Symphony is probably the best-known.  The score of the West Point Symphony calls for a “marching machine,” but on a classic 1959 recording under the late Frederick Fennell, the required sound was provided by the very real marching feet of 120 Eastman School of Music students.  Composers Datebook  West Point Symphony Eastman Wind Ensemble - Frederick Fennel, conductor  https://www.youtube.com/watch?v=pvYSuesYVyg  20:27

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