The term wool-gathering literally denotes the action of gathering fragments of
wool torn from the fleeces of
sheep by bushes, etc., or as a result of sheep scratching or grooming
themselves. As B. A. Phythian explains
in A Concise Dictionary of Phrase
and Fable (1993): It was an activity for poor people hoping to
gather enough fragments to weave together, entailing a certain amount of
haphazard rambling among hedgerows and fields by women and children. This rather random wandering has been a
metaphor for dreaminess since the 16th century. See a picture of the oil painting Gathering Wool by Henry Herbert La Thangue (1859-1929) at http://wordhistories.com/2015/07/10/wool-gathering/
Sistine Chapel gets full
digital treatment for future restorations by Philip Pullella The last
time the entire Sistine Chapel was photographed for posterity, digital
photography was in its infancy and words like pixels were bandied about mostly
by computer nerds and NASA scientists.
Now, after decades of technological advances in art photography, digital
darkrooms and printing techniques, a five-year project that will aid future
restorations has left the Vatican Museums with 270,000 digital frames that show
frescoes by Michelangelo and other masters in fresh, stunning detail. "In the future, this will allow us to know
the state of every centimeter of the chapel as it is today, in 2017," said
Antonio Paolucci, former head of the museums and a world-renowned expert on the
Sistine. Michelangelo's ceiling frescoes
include one of the most famous scenes in art--the arm of a gentle, bearded God
reaching out to give life to Adam. The
Renaissance master finished the ceiling in 1512 and painted the massive
"Last Judgment" panel behind the altar between 1535 and 1541. The last time all Sistine frescoes were
photographed was between 1980 and 1994, during a landmark restoration project
that cleaned them for the first time in centuries. The new photos were taken for inclusion in a
new three-volume, 870-page set that is limited to 1,999 copies and marketed to
libraries and collectors. The set, which
costs about 12,000 euros ($12,700), was a joint production of the Vatican
Museums and Italy's Scripta Maneant high-end art publishers. Post production computer techniques included
"stitching" of frames that photographers took while working out of
sight for 65 nights from 7 p.m. to 2 a.m., when the chapel where popes are
elected is closed. The project was known
to only to a few people until it was unveiled in the chapel on February 24,
2017. http://www.reuters.com/article/us-vatican-sistine-idUSKBN1661KP
Hitting a LexisNexis subsidiary with a class action, a law firm says Matthew Bender & Co.’s
self-proclaimed authority on landlord-tenant law in New York is anything but. More commonly known as the Tanbook, the New
York Landlord-Tenant Law is one of several legal publications that make up
Matthew Bender & Co.’s annual “Color Books” series. Hoping to represent a class, the law firm
Himmelstein, McConnell, Gribben, Donoghue & Joseph brought a Feb. 23 2017 complaint against the publisher in Manhattan
Supreme Court. “Rather than an
authoritative source of state statutes, laws and regulations, the Tanbook,
which is represented by the defendant as complete and unedited, is instead, at
least as pertains to those involving rent regulated housing in New York rife
with omissions and inaccuracies, rendering it of no value to the attorneys, lay
people, or judges who use it,” the 25-page complaint states. Himmelstein McConnell says it has bought
multiple copies of the Tanbook every year since at least 2010 to keep its
attorneys up to speed on real estate law. At least 100,000 Tanbooks were sold during
that period, according to the complaint.
The class says its attorneys at Fishman Rozen conducted an investigation
that found 37 omissions and eight inaccuracies in the 2016 Tanbook regarding
provisions of state and local statutes and regulations concerning rent
regulation in New York. One omission
included the entire subsections providing for the mandated formula for
calculating rents when a rent-stabilized tenant--who qualifies for exemptions
as either a senior citizen or disabled person--receives a rent reduction order
from the state Department of Housing and Community Renewal. Other omissions included subsections limiting
landlord from taking a vacancy-rent increase to no more than one time in any
one calendar year. The class seeks
restitution and an injunction, alleging deceptive business practices, breach of
contract and unjust enrichment. Himmelstein,
McConnell wants to represent a class of all Tanbook purchasers since February
2011. Josh Russell https://www.courthousenews.com/class-calls-lexisnexis-publication-totally-useless/
Thank you, Muse reader!
Major League Baseball officials are finally addressing something that many fans have
complained about for years: the length
of games. The average game last season
took three hours. Major League Baseball wants more action and less
downtime during games. That’s probably
asking too much, because hitters are paid to work deep counts while pitchers
throw harder, with better movement, than ever before. It’s no accident that the number of
strikeouts rises every year. The larger
issue, of course, is expanding the business, which means attracting more
fans. And baseball won’t touch the
biggest impediments to that effort, because it would mean less money now. Want to make the game move more quickly? Cut every commercial break by 30
seconds. Find more suggestions
from New York Times reporters and readers see pictures at https://www.nytimes.com/2017/03/01/sports/baseball/baseballs-too-slow-heres-how-you-fix-it.html
Finding an anonymous text, if you don’t know which one, exactly, you’re looking
for, can be difficult, if not impossible. When Emily Kopley, a scholar of British and
American literature, was first researching anonymous texts, she would try
searching in library catalogs for a variety of terms: “by anonymous”… “no author”… “by a lady.” But in the period she was researching, the
early 20th century, signing a book “by a lady” was old-fashioned. Few people signed “by anonymous.” Anonymous books wouldn’t necessarily be
catalogued as “no author,” either—there’s no agreed-upon system, among
libraries, about how to list anonymous or pseudonymous books. “It’s really hard to find them,” says
Kopley. She had more success looking in
scholarly databases, where she could turn up examples that others had written
about, and in collections of book reviews. But those searches revealed anonymous texts
that were already known, in some way. “The hardest thing is to find a completely
unknown or unstudied author who was anonymous or pseudonymous,” she says. At one point in the history of literature,
anonymous and pseudonymous texts were common, even dominant. But at the end of the 19th century, as the
number of texts being published grew, the percentage and, most likely, the
absolute number of anonymous texts being published began to shrink. By their nature, and because there was no
agreed upon way to catalog such texts, they’re difficult to surface in
libraries and archives; as a group, they’re hidden away in larger collections. They blend into the crowd. As Researcher-in-Residence at Montreal’s
Concordia University Library, a
newly created position meant to promote a culture of research, Kopley
is searching for ways to resurface and expose anonymous texts. Part of her job is to work with librarians to
develop ways to catalog and search for anonymous texts that could make them
easier to find. If there were a way to
find them and see them more clearly, she reasons, it would be possible to
better understand how the use of anonymity has changed—why writers choose
to remain anonymous. Sarah Laskow Read extensive article and see pictures at http://www.atlasobscura.com/articles/anonymous-texts-hidden-libraries
http://librariansmuse.blogspot.com Issue 1672
March 6, 2017 On this date in 1927, Gabriel
García Márquez, Colombian journalist and author, Nobel Prize laureate, was born. On this date in 1943, Norman Rockwell published Freedom
from Want in The Saturday
Evening Post with
a matching essay by Carlos Bulosan as part of the Four
Freedoms series.
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