Monday, March 28, 2016

21 BUNNY POEMS FOR SPRING AND EASTER

March 23, 2016  National Recording Registry Recognizes "Mack the Knife," Motown and Mahler  Two cuts at Kurt Weill's "Mack the Knife"—by Louis Armstrong and Bobby Darin—will join Billy Joel's single "Piano Man," Gloria Gaynor's "I Will Survive," the Supremes' "Where Did Our Love Go," a recording of the fourth quarter of Wilt Chamberlain's historic 100-point game and a poignant capture of Mahler's ninth symphony among the recordings recently selected for induction into the Library of Congress National Recording Registry.   Acting Librarian of Congress David S. Mao today named 25 new sound recordings to the registry that have been recognized for their cultural, artistic and/or historical significance to American society and the nation's aural legacy.  "These recordings, by a wide range of artists in many genres of music and in spoken word, will be preserved for future listeners," Mao said.  "This collection of blues, jazz, rock, country and classical recordings, interspersed with important recordings of sporting events, speeches, radio shows and comedy, helps safeguard the record of what we've done and who we are."  Under the terms of the National Recording Preservation Act of 2000, the Librarian, with advice from the Library's National Recording Preservation Board (NRPB), annually selects 25 recordings that are "culturally, historically, or aesthetically significant" and are at least 10 years old.  The selections for the 2015 registry bring the total number of recordings on the registry to 450, only a minuscule portion of the Library's vast recorded-sound collection of more than 3 million items.  http://www.loc.gov/today/pr/2016/16-056.html

Home in vs. hone in  Home in means to direct on a target.  The phrasal verb derives from the 19th-century use of homing pigeons, but it resurged in the 20th century to refer to missiles that home in on their targets.  It’s also commonly used metaphorically, where to home in on something is to focus on and make progress toward it.  Hone in began as an alteration of home in, and many people regard it as an error.  It is a very common, though, especially in the U.S. and Canada—so common that many dictionaries now list it—and there are arguments in its favor.  Hone means to sharpen or to perfect, and we can think of homing in as a sharpening of focus or a perfecting of one’s trajectory toward a target.  So while it might not make strict logical sense, extending hone this way is not a huge leap.  Outside North America, home in prevails by a huge margin.  It also prevails in North America, but only by a ratio of about two to one.  Hone in is common even in technical, scientific, and military contexts, where one might expect home in to prevail.  A few American and Canadian publishers clearly favor home in as a matter of policy, but most apparently have no strictly enforced policy one way or the other.  http://grammarist.com/eggcorns/home-in-hone-in/

Copyright Law:  Why is it okay to use a DVR or DVD burner to record a movie on cable TV, but it's considered wrong to copy that very same movie from a rented DVD?  by Richard Knight  This is a good, valid question, but I regret the answer is technically complex, logically convoluted, and generally unsatisfactory in the end.  In summary, I think the answer can best be summarized as "because each use-scenario resulted from court decisions decided at different times, using different technological backdrops, and taking different risks to copyright economics into consideration."  A bit longer answer--which presumes a basic understanding of the ins-and-outs of general copyright laws--is that recording a digital cable TV signal onto a DVR or DVD was not much different than doing so for an analog cable TV signal on an analog tape (e.g., taping a t.v. movie on VHS), which in turn was considered akin to audio recording an open-air AM/FM radio broadcast, and the courts had long ago decided that making a personal recording of a radio broadcast was not a copyright violation.   A key distinction here was that the resultant "copy" was something less than the original in terms of quality, completeness, purity, etc., and/or at most simply "time-delayed" the content (but with commercials, station ID, etc. still intact), and thus did not diminish the economic value of the original.  On the other hand, copying a movie from a rented DVD to another DVD--which results in a perfect digital copy of the original--was deemed to be more akin to copying computer software from one CD to another or from one CD to more than one computer.  Because this latter activity was already determined by the courts--at a much later time and in a different context--to be akin to every other form of completely illegal copyright theft--the same reasoning was applied to DVD/digital media technology because of its technical similarity and perceived negative impact on the economic value to the original (i.e., to specifically avoid purchasing the additional copies of software).  As a result, merely "time delaying" broadcast content was considered permissible--as long as no further copying or distribution occurred, and thus no economic detriment--while making perfect copies of digital content (to avoid purchasing the content) was considered impermissible because it equated to a lost sale.  

Earl Hamner Jr., the Virginia-born writer who created not only TV’s folksy, Depression-era family drama “The Waltons” but the California wine country prime-time soap opera “Falcon Crest,” died March 24, 2016 at the age of 92.  In a long career that included writing episodes of “The Twilight Zone” in the 1960s and adapting the E.B. White classic “Charlotte’s Web” for a 1973 animated film, Hamner was best known for tapping his childhood memories of growing up in a large family in
“Spencer’s Mountain,” Hamner’s childhood-inspired 1961 novel, was turned into a 1963 movie starring Henry Fonda and Maureen O’Hara.  His 1970 book “The Homecoming: A Novel About Spencer’s Mountain,” inspired by Christmas Eve 1933 when Hamner’s father was late in arriving home, was turned into “The Homecoming: A Christmas Story,” a two-hour CBS television movie that introduced the family, renamed the Waltons, to television viewers in December 1971.  Its success led to the weekly hourlong TV series.  Dennis McLellan

There will only be one type of candy served at this year's White House Easter Egg Roll and it was invented by a 7-year-old.  The candy is zollipops. Its inventor, Alina Morse, now 10, came up with the idea to create a lollipop that's actually good for your teeth three years ago.  The ingredients she settled on (xylitol and erythritol) help to reduce the risk of tooth decay and neutralize acid found in the mouth after a meal.  After settling on the perfect formula, Alina invested $7,500 of her savings from her grandparents to start the company her 5-year-old sister named "Zollipops" in 2014.  Business has been so good that Alina has committed 10 percent of company profits to bringing oral health education to schools.  Last year, Zollidrops–and its inventor–were invited to the White House Easter Egg Roll by First Lady Michelle Obama and they'll return March 28, 2016 as the event's only candy.  Tiare Dunlap  http://www.people.com/article/zollidrops-alina-morse-10-year-old-invented-candy-served-white-house-easter-egg-roll  See also https://www.whitehouse.gov/eastereggroll

March 26, 2016  Momentous Week in Cuba by Michael Wissenstein    The week opened with the arrival of President Barack Obama in Air Force One, accompanied by more than 1,000 employees of a government that waged a cold war against Cuba for more than 50 years.  The week ended with Mick Jagger, Keith Richards, Ronnie Wood and Charlie Watts firing "Jumpin' Jack Flash" ''Sympathy for the Devil" and "Satisfaction" into a jubilant crowd from 3-story-tall high-definition television screens and thumping towers of speakers.  "Havana, Cuba, and the Rolling Stones!" Jagger cried. "This is amazing! It's really good to be here! It's good to see you guys!"  The Stones romped through 18 of their classics, picking up force as the crowd in the open-air Ciudad Deportiva, or Sports City, jumped and chanted "Rollings! Rollings!"  The Rolling Stones were the biggest mainstream rock act to play in Cuba since its 1959 revolution brought a communist government to power and isolated the island from the United States and its allies.  Ordinary Cubans said they felt shot through with energy, reconnected with the world.  "After today I can die," said 62-year-old night watchman Joaquin Ortiz.  "This is like my last wish, seeing the Rolling Stones."  http://www.csmonitor.com/The-Culture/Music/2016/0326/A-momentous-week-in-Cuba-From-Barack-Obama-to-Mick-Jagger

Jim Harrison, 'Legends Of The Fall' Author, Dies At 78 by Tom Vitale  Jim Harrison wrote more than three dozen books, including the novels Dalva and True North, the novella Legends of the Fall and many collections of poetry. He died Saturday March 26, 2016.  Harrison set his stories in the untamed corners of America—the Big Sky country of Montana, the arid deserts of the Southwest, the swamplands and forests of Michigan's Upper Peninsula, where he spent his summers.  Harrison described the "massive presence of Lake Superior" beside the "undifferentiated wilderness."  There were rivers, creeks and beaver ponds.  "I had a wolf right outside my cabin years ago," he recalls.   "It was a lovely experience."  Read Harrison's 2007 poem "Water" at http://www.npr.org/sections/thetwo-way/2016/03/27/469817873/legends-of-the-fall-author-who-found-freedom-outdoors-dies-at-78


http://librariansmuse.blogspot.com  Issue 1447  March 28, 2016  On this date in 1890, Paul Whiteman, American violinist, composer, and bandleader, was born.  On this date in 1986, Lady Gaga (Stefani Joanne Angelina Germanotta), American singer-songwriter, dancer, producer, and actress, was born.  

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