tog from Old French togue, from Latin toga (“cloak, mantle”). It started being
used by thieves and vagabonds with the noun togman, which
was an old slang word for "cloak".
By the 1700s the noun "tog" was used as a short form for
"togman", and it was being used for "coat", and before 1800
the word started to mean "clothing".
The verb "tog" came out after a short period of time and became
a popular word which meant to dress up.
The unit of thermal resistance was coined in the 1940s after the clo, a unit of thermal
insulation of clothing, which was itself derived from clothes.
https://en.wiktionary.org/wiki/tog
A.Word.A.Day with Anu Garg
bokeh (BOH-kay/kuh) noun The blurred effect in a photograph,
typically as a soft out-of-focus background, that results in a pleasing effect
and helps to draw attention to the subject of the photograph. From Japanese boke (blur,
haze) or boke-aji (blur quality).
Earliest documented use: 1997.
Feedback to A.Word.A.Day From:
Walter Levy In the world of
photography, the term bokeh has been in general use since around 1997. A more recent neologism is bokehlicious, a
portmanteau of bokeh and delicious, indicating a highly desirable quality of
bokeh. The term can be applied to a
photograph with smooth, “creamy” out-of-focus areas, or to a lens that tends to
produce such images.
If you're
not already making labneh, now's the time to start! This creamy, tangy yogurt cheese comes
together with just 2 simple ingredients.
The hardest part of making labneh
cheese is waiting. Everything else is
simple. Mix together 2
ingredients--Greek yogurt and salt--wrap them in a cheesecloth, and hang it
over a bowl to strain. Then, things get
tough: you’ll have to wait 24 hours to
open the cheesecloth and enjoy the thick, creamy yogurt cheese inside. But if you try this labneh recipe, I think
you’ll agree that the wait is totally worth it.
https://www.loveandlemons.com/labneh-recipe/ Thank you, Muse reader!
DNA
origami is the nanoscale folding
of DNA to create non-arbitrary two- and
three-dimensional shapes at the nanoscale.
The specificity of the interactions between complementary
base pairs make DNA a useful construction material, through
design of its base sequences. DNA is a
well-understood material that is suitable for creating scaffolds that hold
other molecules in place or to create structures all on its own. DNA origami was the cover story of Nature on March 16, 2006.
Since then, DNA origami has progressed past an art form and has found a
number of applications from drug delivery systems to uses as circuitry in
plasmonic devices; however, most applications remain in a concept or testing
phase. The idea of using DNA as a construction
material was first introduced in the early 1980s by Nadrian Seeman. The current method of
DNA origami was developed by Paul Rothemund at the California
Institute of Technology.
Examples include a smiley face and a
coarse map of China and the Americas, along with many three-dimensional
structures such as cubes. https://en.wikipedia.org/wiki/DNA_origami
“There is
a land in the northern
fringes of the state of Vermont known to locals simply as
the Northeast
Kingdom. It takes in most of Essex County, with pieces of Orleans
and Caledonia,
a wild, mountainous place of lakes and rivers, hills and gorges, with
here and there a bumpy track and a small village.” “Wits from the South say
there are only two seasons in the Kingdom—August and winter. Those who know the place say this is
nonsense; it is August 15th and winter.” The Negotiator, a novel by Fredercik Forsyth
* In 1990 Australian broadcaster Alan Jones had been a regular writer for The Sun-Herald when
the newspaper announced that Jones' column would no longer appear following a
petition by staff calling for his removal as a contributor. This followed Jones' publication of a column
predicting an oil crisis, in which a large amount of the material had been
taken directly from Forsyth's novel The Negotiator without any
attribution or indication that the source was a work of fiction. https://en.wikipedia.org/wiki/The_Negotiator_(novel)
Six hundred miles from the
North Pole, on an island the size of West Virginia, at the end of a tunnel
bored into a mountain, lies a vault filled with more than 1 million samples of
seeds harvested from 6,374 species of plants grown in 249 locations around the
world. The Wall Street Journal May 30, 2020
February 24, 2020 The so-called
“doomsday” vault in Norway is taking in its biggest deposit of seeds since
vital upgrades in 2019. The deposit will
feature over 60,000 seed samples from 36 different groups—the most to send
their seeds to the Svalbard Global Seed Vault at one time. That includes the Cherokee Nation, the first
tribe based in the US to make a deposit.
Departments of agriculture from Thailand, the US, and Ireland and
universities and research centers from Costa Rica, Ethiopia, Lebanon, and
elsewhere will make contributions as well.
The international nonprofit organization Crop Trust manages the vault in partnership with the
Norwegian Ministry of Agriculture and Food and the Nordic Genetic Resource
Centre. @justcalma
https://www.theverge.com/2020/2/24/21151298/doomsday-svalbard-vault-seed-deposit-cherokee-nation
https://www.theverge.com/2020/2/24/21151298/doomsday-svalbard-vault-seed-deposit-cherokee-nation
FROM THE YEAR 2000 “This Friday is the first National Work at Home Day, an
occasion when there won't be any need to feel guilty about negotiating a
multimillion-dollar deal in your boxers and bunny slippers, or interviewing a
chief executive while wearing just a towel.”
https://www.wired.com/2000/07/this-friday-make-it-real-casual/ The tradition continues (day after day after
day) in 2020.
At the Bird Library in
Virginia, birds (and the occasional squirrel) come and go, leaving with seeds
and fruits instead of books. It’s not
actually a library, but a bird feeder that anyone can watch on a 24/7
livestream. According to librarian Rebecca Flowers, she and woodworker
Kevin Cwalina built the bird feeder five years ago after seeing The Piip Show,
a popular-but-now-defunct livestream in Norway with the same concept, but set
in a cafe. It was their love of nature
(and literature) that made them decide to do a similar project. Over the
years, the library has received diverse visitors, including goldfinches,
cardinals, nuthatches, and more recently, a rose-breasted grosbeak. Flowers says that one can learn a lot about
birds and their unique personalities by simply watching them. You can watch the Bird Library’s livestream
on YouTube,
and you can also see their archive of photos on their website. Inigo Del Castillo https://www.apartmenttherapy.com/bird-library-livestream-36766357 Thank you, Muse reader!
“I’m a
librarian, I can handle anything.” “It’s
snack o’clock!” “Why did the bird go to
the library? He was looking for
bookworms.” Quotes from https://www.birdlibrary.org/
David A. Taylor on Art as
Social Intervention When the economy collapsed in 1929, American jobs
disappeared at the rate of 20,000 a day.
In the Great Depression, the publishing and arts sectors shrank by about
a third. Creatives were desperate. There was private desperation and there was
public desperation. Harry Hopkins, the
New Deal’s jobs program coordinator, focused on the public aspect and
short-term solutions. When Congress
questioned the idea of supporting artists and writers with jobs in the Works
Progress Administration, Hopkins replied that artists had to eat like everyone
else. In response to protests in New
York by unemployed publishing workers who felt abandoned, the WPA began a small
Federal Writers’ Project and others for art, music, and theater. The notion
behind “work relief” was that paying work could sustain morale better than
direct unemployment payments. In visual art, a first federal art program in 1933
cranked out 15,000 works in six months.
It reached one-third of the country’s estimated 10,000 unemployed
artists and the Federal Art Project reached still further. Jacob Lawrence, who studied at the Harlem
Community Art Center with Romare Bearden, was a WPA artist. Lawrence first
considered becoming a writer. He knew he
“wanted to tell a story,” he said later, but was daunted by the competitive
genius in Harlem’s literary scene. So he
chose to tell it in paint. He created
most of his Migration Series as a 23-year-old
living in a Harlem loft. Some WPA
guidebooks were censored and denounced by citizens’ committees in their time,
and some of the writers’ later works were banned. They reflect art’s power in shaping and
triggering American identities and norms.
Even in 2020, Invisible Man appeared
on an Alaska school board’s list of banned books (along with work by Maya
Angelou and others) for mentions of incest, racial slurs, and profanity. Maybe the WPA let new passions into the
public space. “Writing is an act of
salvation,” Ellison wrote in a letter to Wright after seeing the Great
Migration unspool in Wright’s photo essay, 12 Million Black Voices. “God! It makes you want to write and write
and write, or murder.” https://lithub.com/how-did-artists-survive-the-first-great-depression/
A THOUGHT FOR JUNE 30 Not that I want to be a god or a hero. Just to change into a tree, grow for ages,
not hurt anyone. - Czeslaw Milosz, poet and novelist (30 Jun 1911-2004)
http://librariansmuse.blogspot.com Issue 2292
June 30, 2020